Picasso and Portraiture: Representation and TransformationMuseum of Modern Art, 1996 - 496 pages . The book opens with an authoritative, broad-ranging essay by William Rubin; the nine essays that follow - all by major contemporary scholars and critics - examine different periods and aspects of Picasso's career and clarify personal relationships between the artist and his subjects. It closes with an essay by Mr. Rubin on the late portraits. Numerous photographs, some never before published and many by outstanding photographers, present the portrait subjects as seen through the eye of the camera. |
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Table des matières
Foreword GLENN D LOWRY | 8 |
Reflections on Picasso and Portraiture 12 | 105 |
Picassos SelfPortraits ΙΙΟ | 111 |
Droits d'auteur | |
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André Salmon Armchair artist Barcelona Braque Brassaï Bust caricature color Cubism Daniel-Henry Kahnweiler December Demoiselles d'Avignon Dora Maar drawing early Eluard Etching exhibition eyes face Fernande figure Françoise Gilot Françoise's friends frontal Gallery Geiser/Baer Gosol Guillaume Apollinaire hair Harlequin head India ink Ingres ink on paper Jacqueline January KIRK VARNEDOE later Les Demoiselles d'Avignon Marie-Thérèse Walter Matisse Matisse's Max Jacob Maya MICHAEL FITZGERALD mirror Modern Art Musée Picasso Museum of Art Museum of Modern Neoclassical Neoclassicism Nude Nusch Oil on canvas Olga Khokhlova Olga's painter painting Paris Paul Paul Eluard pencil on paper Photograph by Picasso PICASSO AND PORTRAITURE Picasso Archives Picasso's art PICASSO'S SELF-PORTRAITS Picasso's studio Pierre Daix poet PORTRAITS OF DORA pose PRIMITIVISM Private collection REFLECTIONS ON PICASSO ROBERT ROSENBLUM Roland Penrose sculpture seems sketch studies style summer Surrealist tion transformed Vollard WILLIAM RUBIN women Zervos VII Zervos XVI