Yul: The Man who Would be King : a Memoir of Father and SonSimon and Schuster, 1989 - 252 pages Here is a dazzling biographical memoir of one of the most charismatic figures on stage and screen -Yul Brynner- by Yul's only son. Yul is the moving tale of a man who became king, and a king who became slave to his own extravagance. |
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Page 80
... DeMille made upon his propman , Bob Goodstein . Think back to the exodus scene , with its thousands of extras of all ages — a sea of humanity — all in costume , with carts , wagons , pigs , cows , goats , tools , weapons ...
... DeMille made upon his propman , Bob Goodstein . Think back to the exodus scene , with its thousands of extras of all ages — a sea of humanity — all in costume , with carts , wagons , pigs , cows , goats , tools , weapons ...
Page 81
... DeMille led with his cock . For example , DeMille cultivated the curious habit of suddenly sitting down , without warning , wherever he was on the set . He had one assistant whose job it was to make sure there was always a stool under ...
... DeMille led with his cock . For example , DeMille cultivated the curious habit of suddenly sitting down , without warning , wherever he was on the set . He had one assistant whose job it was to make sure there was always a stool under ...
Page 82
... DeMille he learned how to look like a movie star on the screen . While Chekhov had taught Yul about acting for a camera , there was still much he could gain from DeMille's vast experience . After all , the only film Yul had appeared in ...
... DeMille he learned how to look like a movie star on the screen . While Chekhov had taught Yul about acting for a camera , there was still much he could gain from DeMille's vast experience . After all , the only film Yul had appeared in ...
Table des matières
PART | 11 |
Oriental Enigma | 17 |
Actors Apprentice | 31 |
Droits d'auteur | |
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Expressions et termes fréquents
acting actor already America appeared arrived asked audience became become began Boris born Broadway called cast changed character Chekhov close completely course directed director Doris drinking earlier early especially eyes face fact father feel felt film finally friends gave give going gypsy hand Hollywood hundred imagination Jules King knew later learned live look months mother movie musical needed never night offered once opened opium pain Paris performance play production remained returned Rock role seemed share Song soon sound spent stage star story studio summer sure theater thing thought thousand told took traveled trying turned usually Virginia voice wanted watched week whole wife York young Yul Brynner Yul's