Yul: The Man who Would be King : a Memoir of Father and SonSimon and Schuster, 1989 - 252 pages Here is a dazzling biographical memoir of one of the most charismatic figures on stage and screen -Yul Brynner- by Yul's only son. Yul is the moving tale of a man who became king, and a king who became slave to his own extravagance. |
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Page 30
... Michael Chekhov , Stanislavsky's codirector and the nephew of the great Anton Chekhov . In fact , while serving as apprentice with the Pitoëffs , Yul had tried to join Michael Chekhov in England , but without success . Now that war had ...
... Michael Chekhov , Stanislavsky's codirector and the nephew of the great Anton Chekhov . In fact , while serving as apprentice with the Pitoëffs , Yul had tried to join Michael Chekhov in England , but without success . Now that war had ...
Page 32
... Chekhov , and with George Shdanoff , Chekhov's colleague and assistant . For Yul , an actor was somebody with a ... Michael Chekhov had begun his life in the theater in the nine- teenth century , and helped Konstantin Stanislavsky create ...
... Chekhov , and with George Shdanoff , Chekhov's colleague and assistant . For Yul , an actor was somebody with a ... Michael Chekhov had begun his life in the theater in the nine- teenth century , and helped Konstantin Stanislavsky create ...
Page 61
... Chekhov . In his workshop she played Cordelia to Chekhov's King Lear . She once gave him a portrait of Abraham ... Michael Chekhov died . Marilyn contributed gen- erously to a fund for Chekhov's widow , and even left a bequest for her in ...
... Chekhov . In his workshop she played Cordelia to Chekhov's King Lear . She once gave him a portrait of Abraham ... Michael Chekhov died . Marilyn contributed gen- erously to a fund for Chekhov's widow , and even left a bequest for her in ...
Table des matières
PART | 11 |
Oriental Enigma | 17 |
Actors Apprentice | 31 |
Droits d'auteur | |
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Expressions et termes fréquents
acting actor already America appeared arrived asked audience became become began Boris born Broadway called cast changed character Chekhov close completely course directed director Doris drinking earlier early especially eyes face fact father feel felt film finally friends gave give going gypsy hand Hollywood hundred imagination Jules King knew later learned live look months mother movie musical needed never night offered once opened opium pain Paris performance play production remained returned Rock role seemed share Song soon sound spent stage star story studio summer sure theater thing thought thousand told took traveled trying turned usually Virginia voice wanted watched week whole wife York young Yul Brynner Yul's