Yul: The Man who Would be King : a Memoir of Father and SonSimon and Schuster, 1989 - 252 pages Here is a dazzling biographical memoir of one of the most charismatic figures on stage and screen -Yul Brynner- by Yul's only son. Yul is the moving tale of a man who became king, and a king who became slave to his own extravagance. |
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Page 104
... audience might not be trou- bled by its polysyllabic names and intricate class structures . What the story needed for the modern audience was a degree of urgency , which was utterly lacking in the novel . To Yul's mind , that could only ...
... audience might not be trou- bled by its polysyllabic names and intricate class structures . What the story needed for the modern audience was a degree of urgency , which was utterly lacking in the novel . To Yul's mind , that could only ...
Page 178
... audience , as the cameras of the curious clicked in his face , his stage fright and intense love for his son near the bursting point . That night he was there to lend his power to his son ; to make it easier for me to find his eyes in ...
... audience , as the cameras of the curious clicked in his face , his stage fright and intense love for his son near the bursting point . That night he was there to lend his power to his son ; to make it easier for me to find his eyes in ...
Page 225
... audience instead of to each other . That is always a danger with musicals , in which the actors conventionally turn downstage to sing . Now they were all doing it , much of the time — even Yul , especially when he was having throat ...
... audience instead of to each other . That is always a danger with musicals , in which the actors conventionally turn downstage to sing . Now they were all doing it , much of the time — even Yul , especially when he was having throat ...
Table des matières
PART | 11 |
Oriental Enigma | 17 |
Actors Apprentice | 31 |
Droits d'auteur | |
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Expressions et termes fréquents
acting actor already America appeared arrived asked audience became become began Boris born Broadway called cast changed character Chekhov close completely course directed director Doris drinking earlier early especially eyes face fact father feel felt film finally friends gave give going gypsy hand Hollywood hundred imagination Jules King knew later learned live look months mother movie musical needed never night offered once opened opium pain Paris performance play production remained returned Rock role seemed share Song soon sound spent stage star story studio summer sure theater thing thought thousand told took traveled trying turned usually Virginia voice wanted watched week whole wife York young Yul Brynner Yul's