Yul: The Man who Would be King : a Memoir of Father and SonSimon and Schuster, 1989 - 252 pages Here is a dazzling biographical memoir of one of the most charismatic figures on stage and screen -Yul Brynner- by Yul's only son. Yul is the moving tale of a man who became king, and a king who became slave to his own extravagance. |
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Page 96
... . " [ Mary Martin and Yul in 1946 ] Kazan had cast Virginia Gilmore in Truckline Café . Her costar was an exciting young actor fresh from Nebraska . His name was Marlon Brando . 12 13 14 Virginia urged Yul to find steady work so that.
... . " [ Mary Martin and Yul in 1946 ] Kazan had cast Virginia Gilmore in Truckline Café . Her costar was an exciting young actor fresh from Nebraska . His name was Marlon Brando . 12 13 14 Virginia urged Yul to find steady work so that.
Page 127
... costar , who played his long - suffering wife with a talent for placating members of the orchestra board , was Kay Kendall , an incomparable comedienne , who made the film her own . The film was shot in Paris and directed by Stanley ...
... costar , who played his long - suffering wife with a talent for placating members of the orchestra board , was Kay Kendall , an incomparable comedienne , who made the film her own . The film was shot in Paris and directed by Stanley ...
Page 193
... costar in the film was Max von Sydow . His stardom on the screen , which had begun with the King— the beast inhabited by an angel — had reached a point where the beast had no soul at all . Now all of Yul's roles were either murderers or ...
... costar in the film was Max von Sydow . His stardom on the screen , which had begun with the King— the beast inhabited by an angel — had reached a point where the beast had no soul at all . Now all of Yul's roles were either murderers or ...
Table des matières
PART | 11 |
Oriental Enigma | 17 |
Actors Apprentice | 31 |
Droits d'auteur | |
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Expressions et termes fréquents
acting actor already America appeared arrived asked audience became become began Boris born Broadway called cast changed character Chekhov close completely course directed director Doris drinking earlier early especially eyes face fact father feel felt film finally friends gave give going gypsy hand Hollywood hundred imagination Jules King knew later learned live look months mother movie musical needed never night offered once opened opium pain Paris performance play production remained returned Rock role seemed share Song soon sound spent stage star story studio summer sure theater thing thought thousand told took traveled trying turned usually Virginia voice wanted watched week whole wife York young Yul Brynner Yul's