Yul: The Man who Would be King : a Memoir of Father and SonSimon and Schuster, 1989 - 252 pages Here is a dazzling biographical memoir of one of the most charismatic figures on stage and screen -Yul Brynner- by Yul's only son. Yul is the moving tale of a man who became king, and a king who became slave to his own extravagance. |
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Page 50
... musical by Rodgers and Hammerstein in that decade . In 1943 they had redefined the American musical with Oklahoma ! Two things in particular signaled its revolutionary impact . First , more than in any operetta or vaudeville musical ...
... musical by Rodgers and Hammerstein in that decade . In 1943 they had redefined the American musical with Oklahoma ! Two things in particular signaled its revolutionary impact . First , more than in any operetta or vaudeville musical ...
Page 58
... musical drama . " A few weeks later , in the Sunday edition , Atkinson ate crow . Like " South Pacific , " " The King and I " is a skillfully written musical drama with a well - designed libretto , a rich score , a memo- rable ...
... musical drama . " A few weeks later , in the Sunday edition , Atkinson ate crow . Like " South Pacific , " " The King and I " is a skillfully written musical drama with a well - designed libretto , a rich score , a memo- rable ...
Page 87
... musical she might perhaps bring a suggestion of the passion she had shared with Burt Lancaster in From Here to Eternity . It had brought her an Oscar nomination three years earlier . Deborah could not sing at all , however , and since ...
... musical she might perhaps bring a suggestion of the passion she had shared with Burt Lancaster in From Here to Eternity . It had brought her an Oscar nomination three years earlier . Deborah could not sing at all , however , and since ...
Table des matières
PART | 11 |
Oriental Enigma | 17 |
Actors Apprentice | 31 |
Droits d'auteur | |
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Expressions et termes fréquents
acting actor already America appeared arrived asked audience became become began Boris born Broadway called cast changed character Chekhov close completely course directed director Doris drinking earlier early especially eyes face fact father feel felt film finally friends gave give going gypsy hand Hollywood hundred imagination Jules King knew later learned live look months mother movie musical needed never night offered once opened opium pain Paris performance play production remained returned Rock role seemed share Song soon sound spent stage star story studio summer sure theater thing thought thousand told took traveled trying turned usually Virginia voice wanted watched week whole wife York young Yul Brynner Yul's