Wesleyan University Press, 11 nov. 2007 - 214 pages
Director of such often-revived films as Winchester ’73, The Glenn Miller Story, and El Cid, Anthony Mann enjoyed a lasting and important career as one of Hollywood’s premier filmmakers. Mann’s Westerns, noir pictures, and epics are admired and studied by fans and scholars alike, and he was an expert in the fundamental elements of cinema (movement and placement of the camera, composition in the frame, and careful editing). Jeanine Basinger’s Anthony Mann, which places the director’s visual style at the center of its analysis, was among the first formal studies of any filmmaker, and it set a standard in the field over twenty-five years ago. Long out of print and much in demand, this pioneering book is now available again, featuring complete coverage of those Mann films not discussed in the original work, as well as over fifty rare film stills. Wesleyan is proud to issue this expanded edition of an essential text, making it available to new generations of filmgoers and readers.
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actors Aldo Ray Anthony Mann Art Film Stills audience Basehart become Borden Chase Border Incident Brennan Broadway Cast characters Charles McGraw Chimene Cinema Cinematography composition Cooper Costumes dark death Dehner Devil's Doorway directed director Eagle-Lion Editor emotional epic films father fight film noir Film Stills Archive final Fonda formal frame genre Glenn Miller Story God's Little Acre Hollywood Indian inside intense close-ups James Stewart John Alton journey Kennedy kill Lance landscape Laramie Last Frontier light linked look Mann film Mann hero Mann western Mann's career Mature minutes New York Montalban movie Music Naked Spur narrative night outlaw pattern Perkins played plot present Raw Deal relationship rides Robert Robert Ryan Rodrigo Running Ryan says scene Screenplay script seen sequence shack shot space style swish pan T-Men takes Tin Star town viewer violence visual West western films Winchester 73 York Premiere
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