Beauty and the Book: Fine Editions and Cultural Distinction in AmericaYale University Press, 1 janv. 2000 - 323 pages In post-World War I America, teeming as it was with magazines, newspapers, radio broadcasts and movies, many feared that the survival of traditional, serious books was in peril. This concern led to a publishing boom in fine editions; books valued primarily for their beauty, craftsmanship, extravagance, status, or scarcity. Beauty and the Book is a lively cultural history of the explosion in demand for these deluxe books during the 1920s and 1930s. Megan L. Benton argues that the clamour to own fine books reflected the anxieties and desires of those who mourned the rise of a modern mass culture. For them, such volumes not only affirmed a preindustrial ideal but also imparted social distinction and cultural superiority. Benton combines new archival research with a close examination of three hundred fine editions of the period. In theory, fine bookmakers were devoted to beauty and quality and were unwilling to compromise with machinery, popular taste, or concern for profit. But such ideal standards were nearly impossible to maintain. Paradoxically, fine publishers' ostensible indifference to commercial considerations was one of their most prized and lucrative products for sale. This b |
Table des matières
To Shame the World to Please the World | 1 |
The Glut of the Good Life II | 11 |
Man and Machine | 57 |
Strategies of Fine Design | 83 |
Classics or Cabbages? The Question of Content | 123 |
The Business of Anticommercialism | 167 |
Death of a High Tradition | 213 |
Autres éditions - Tout afficher
Beauty and the Book: Fine Editions and Cultural Distinction in America Megan Benton Aucun aperçu disponible - 2014 |
Expressions et termes fréquents
advertising American artistic authors Beatrice Warde beautiful Bennett Cerf bibliophilic binding Bob Grabhorn book design book's bookmaking booksellers Bruce Rogers buyers Carl Rollins Cheshire House classics collectors colophon commercial contemporary copies costs Covici-Friede craft Crosby Gaige cultural decorative dollars Donald Klopfer Dunster House Dwiggins editorial elite Ellis Elmer Adler example expenses figure Firuski Fountain Press Frederic Warde Friede Grabhorn Press hand handcraft handmade paper illustrations John Henry Nash Kelmscott Kelmscott Press Klopfer Knopf labor Laboratory Press Leaves of Grass letters Library literary machine material Moby Dick modern modernist Nash's offered percent Photo courtesy Poems Porter Garnett postwar printed book private press produced publishers Pynson Printers Random House readers Rimington Rockwell Kent Rudge San Francisco sell standards style taste tion titles trade books traditional Tschichold twenties typefaces typically typographic University Updike William Kittredge Windsor Press York
Références à ce livre
Home-work: Postcolonialism, Pedagogy, and Canadian Literature Cynthia Conchita Sugars Aucun aperçu disponible - 2004 |

