Explorations in Art and TechnologySpringer Science & Business Media, 30 avr. 2002 - 304 pages Explorations in Art and Technology is about the creative process in action through the eyes of practitioners and researchers. The book explores the fascinating relationship between artist and technologist through studies of innovative projects that push the boundaries of digital art. The research sheds new light on the nature of interaction between people and computers and provides insight into the characteristics of environments in which creativity can be enhanced. In doing so, it presents a case for organisations to develop strategies for offering environments in which collaborative, sustainable partnerships can thrive. What emerges is a compelling story of new visions and new forms in a field that is set to transform traditional norms in both art and technology as we move through the 21st Century. Additional information and links are available at: http://www.creativityandcognition.com |
Table des matières
Context | 5 |
Environment | 21 |
Research | 39 |
Collaboration | 55 |
Practice | 69 |
Part 2 | 85 |
Bettina Brendel | 87 |
Harold Cohen | 91 |
Beverley Hood | 179 |
JeanPierre Husquinet | 185 |
Fré Ilgen | 191 |
An Intrusive Influence Michael Kidner | 197 |
Marlena Novak | 205 |
Jack Ox | 211 |
Anthony Padgett | 219 |
Juliet Robson | 231 |
Ernest Edmonds | 105 |
Manfred Mohr | 111 |
Extra Ear Exoskeleton | 115 |
Joan Truckenbrod | 125 |
Composing a Visual Arts Score | 131 |
The Artist Considered as | 137 |
Colin Machin | 145 |
André Schappo | 153 |
Manumaya Uniyal | 161 |
Dave Everitt | 173 |
Esther Rolinson | 237 |
Ray Ward | 243 |
George Whale | 249 |
Linda Candy | 261 |
Biographical Notes | 267 |
Bibliography | 281 |
283 | |
Colour Plates | 289 |
Autres éditions - Tout afficher
Explorations in Art and Technology Linda Candy,Ernest Edmonds,Fabrizio Poltronieri Aperçu limité - 2018 |
Explorations in Art and Technology Linda Candy,Ernest Edmonds,Fabrizio Poltronieri Aucun aperçu disponible - 2018 |
Expressions et termes fréquents
able achieve activity algorithmic animation approach art and technology art practice artists and technologists artwork body C&CRS Cognition Research Studios collaboration Color Organ colour communication Computer Science computer system concept context COSTART project create creative process Creativity and Cognition Dave Everitt digital art digital artists digital technology drawing engineer environment Ernest Edmonds example exhibition experience expertise explore Figure film Fré Ilgen Frieder Nake Gallery Georg Nees graphics Harold Cohen human Human-Computer Interaction ideas images important interac interactive interesting involved issues Joan Ashworth knowledge Loughborough University machine Manfred Mohr Max Bense Mike Quantrill move movement nology painting participants performance person physical piece possible problem production realize relationship residency role Roman Verostko sculpture sensor sequence Silicon Graphics simulation skills space Stelarc structure studies tech technical things time-based tion virtual reality visual