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Strictly an AMERICAN BOOK, and, mechanically, perhaps the most perfect ever yet issued from the American press. Illustrated by members of the National Academy; its beautifullySold separately, or in sets, neatly packed in boxes. toned pages, and its artistic printing and binding, are unsurpassed by anything English or foreign; to an outer dress, beauThese collections are exclusively those specimens which, by tiful in the extreme, is united a most charming history of long-established consent, have become "Household Words”— English poetry, from Chaucer to Tennyson-our own poets exponents of all that is beautiful in thought, expression, and being mingled in the order in which they lived-the whole feeling in our language. THE GOLDEN LEAVES from the Amerielucidated and exemplified by apposite extracts, many of them can poets give the earliest recorded efforts, at present not easily affordof exquisite beauty. It gives so perfect a picture of English accessible. They are interesting relics of a bygone age, and American poetry, that at a glance one seizes the peculiari- ing pictures of the habits and manners of those early periods As the Dramatic Poetry of a country embodies ties of each writer, and knows where to look for the qualities they describe. adapted to his peculiar want and tastes. It is a book not only the highest efforts of its genius, no series of "Golden Leaves” of delicious Melodies to charm the listening ear, and glow-would be complete without specimens of its Dramatic Poets. "THE LATER ENGLISH POETS" of the Golden Leaves is a faithing Pictures to fascinate the kindling eye," but one whose study is a pleasure, and which will surely lead the reader to ful selection from the works of the younger Poets, to whom a thorough knowledge of English and American poetry and fame is not yet assured, although already having won reputa literature. A limited number only can now be had. tions of greater or less worth. Who among them are to rack with the Immortals, time only can decide. All their best is here presented.

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SYMBOLISED

BY THE MONTHS OF THE YEAR,

IN THEIR SEASONS AND PHASES,

WITH PASSAGES SELECTED FROM ANCIENT AND MODERN AUTHORS
BY RICHARD PIGOT.

ACCOMPANIED BY A SERIES OF TWENTY-FIVE FULL-PAGE ILLUSTRATIONS,
AND MANY HUNDRED MARGINAL DEVICES, DECORATIVE INITIAL LETTERS
AND TAIL-PIECES, ENGRAVED ON WOOD FROM ORIGINAL DESIGNS

BY JOHN LEIGHTON, F.S.A.

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HE VOLUME consists of Twelve Sections, into which the Life of Man is divided, to accord with the twelve Months of the Year, and the progress of nature, from the germination of the seed to the decay of the tree. The progressive developments of the physical and moral attributes of Man are shown in each Month concurrently with the growth of the Year; and the varying phases of his Passions, Pursuits, and Aspirations are exhibited in excerpt passages from Ancient and Modern Writers. These are cited in the typographical characters of their respective periods, appropriately and suggestively illustrated by many hundreds of marginal devices, initial vignettes, and tail-pieces. Each page of the book is enclosed in a framework, which serves as a setting for proverbs, and other aphorismatic sentences, in harmony with the text. Each Section is preceded by two full-page Engravings, of which, including the General Frontispiece, there are Twenty-five, printed within red rules. Twelve of them, illustrating the Life of Man from the Cradle to the Grave, also embody the Progress of the Seasons, and the varying Aspects of Nature, as seen under an English sky. The other Twelve comprise a Series of Medallion Portraits, from the Infant to the Patriarch, combined with Floral Emblems and other Symbolical Attributes, in keeping with the central subject.

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LIST OF

THE CARDINAL

Frontispiece ALL THE WORLD'S A STAGE.
ILLUMINATED TITLE, ETC.
Fanuary THE INFANT AND NURSLING.
February THE CHILD AND SCHOOLBOY.
March
THE STRIPLING AND APPRENTICE.

THE YOUTH AND LOVER.
THE MAN AND FATHER.

D. APPLETON & COMPANY,

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