Music and Ceremony at Notre Dame of Paris, 500-1550
This book is a history of the early musical life of the Parisian cathedral of Notre Dame. All aspects of the musical establishment of Notre Dame are covered, from Merovingian times to the period of the wars of religion in France. Nine discrete essays discuss the history of Parisian chant and liturgy and the pattern and structure of the cathedral services in the late Middle Ages; Notre Dame polyphony and the composers most closely associated with the cathedral, among them Leoninus, Perotinus and Philippe de Vitry; the organ and its repertoire; the choir, the musical education and performing traditions; and the relationship of the cathedral to the court.
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The church the clergy and the cloister
Aspects of Parisian chant and liturgy
The shape of the liturgy in the Late Middle Ages
The church and the court
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Agnus Albertus Alleluia altar Anonymous IV antiphon Antoine Brumel Benedicamus Bibliotheque blessed virgin Mary boys Brumel canonical hours canons of Paris cantor cantus capitular acts Cartulaire cathedral of Paris celebrated ceremony chancel chant chapter choir choirboys chori Christ church of Paris clergy clerics clerks of Matins Compline composed conductus cycle Dame of Paris Denis Deum discant Document domini duplex ecclesia Parisiensi ecclesie example feast of St ferial France Gallican Genevieve Gloria gradual Guerard Holy honor hymn Item king Kyrie Latin Lauds Leoninus liturgical livres Lord Louis Magister Leoninus Magnus liber organi manuscripts Maria Mass master Matins melody Middle Ages missal motet Mouton notated Notre Dame octave organ organist organum Parisian Pentecost Perotinus Petrus Pierre plainsong polyphony psalms puerorum quod res facta responsory rite Roman royal Sancte semiduplex singers singing subdeacon succentor Sunday sung tenor thirteenth century two-voice usage verse Vespers votive