"Not of an Age, But for All Time": Shakespeare Across Lands and Ages : Essays in Honour of Holger Klein on the Occasion of His 66th BirthdaySabine Coelsch-Foisner, György Endre Szőnyi Purdue University Press, 2004 - 315 pages |
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Page 22
... feel I , that feel no love in this . ( 1. 173-9 ) Even the Renaissance taste for copia cannot persuade us to take this seriously . A really effective Petrarchist might play virtuoso variations on two or three of these antitheses , but ...
... feel I , that feel no love in this . ( 1. 173-9 ) Even the Renaissance taste for copia cannot persuade us to take this seriously . A really effective Petrarchist might play virtuoso variations on two or three of these antitheses , but ...
Page 65
... feel are crucial to The Tempest and which derived from the same cultural forces that underlay the beginnings of the seventeenth - century ' scientific revolution ' . The present opportunity allows me to pursue certain questions that ...
... feel are crucial to The Tempest and which derived from the same cultural forces that underlay the beginnings of the seventeenth - century ' scientific revolution ' . The present opportunity allows me to pursue certain questions that ...
Page 163
... feel , but because her lan- guage is not in touch with her feelings ( as the French king unanswerably puts it ... feeling ' — to use one of the classic Romantic formulations . Shakespeare's feelings are , at this level , best left out of ...
... feel , but because her lan- guage is not in touch with her feelings ( as the French king unanswerably puts it ... feeling ' — to use one of the classic Romantic formulations . Shakespeare's feelings are , at this level , best left out of ...
Table des matières
ANTHONY MORTIMER UNIVERSITY OF MICHIGAN LIBRARIES | 21 |
MICHELE MARRAPODI | 41 |
MOHIT K | 55 |
Droits d'auteur | |
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Expressions et termes fréquents
adaptation Antipholus Antony audience Caliban Cambridge Canz Canzoniere century character China Chinese Christian classical Claudius Cleopatra Comedy of Errors contemporary context Così fan tutte criticism cultural Cymbeline death discourse drama Dürrenmatt edition Elizabethan English essay fan tutte film Friedrich Dürrenmatt genre Gertrude Hamlet Harris Heimonas heroes human identity interpretation intertextual Jarman John Juliet King Lady Laura Library literary literature London lovers Macbeth Menaechmi Merchant of Venice metaphoric modern moral narrative novel opera Othello Oxford pearls Petrarch play's plot poems poet poetic poetry political pre-text present production Prospero protagonist reading reference Renaissance repr Roman Romeo Romulus scene semiotic sequence Shake Shakespeare Shakespeare's plays Shakespeare's Sonnets Shylock social sonnet 66 speare speare's speech stage story Studies Tempest theatre theme theory tion Titus Andronicus tradition tragedy tragic translation Troilus Twelfth Night University Vellutello voyages Wagner William Shakespeare words