 ... should be as different as the tone or accent of each language ; for otherwise, what may properly express a passion in one language will not do it in another. Every one who has been long in Italy knows very well, that the cadences in the recitativo...  Memoirs of the Musical Drama - Page 196de George Hogarth - 1838 - 464 pagesAffichage du livre entier - À propos de ce livre
 | 1789 - 508 pages
...ordinary converfation, or to fpeak more properly, are only the accents of their language made more mufical and tuneful. Thus the notes of interrogation, or admiration, in the Italian mufic (if one may fo call them) which refemble their accents in difcourfe on fuch occafions, are not... | |
 | Alexander Chalmers - 1808 - 416 pages
...in Italy knows very well, that the cadences in the recitativo bear a remote affinity to the tone of their voices in ordinary conversation, or, to speak...tuneful. Thus the notes of interrogation, or admiration, iu the Italian music (if one may so call them) which resemble their accents iu discourse on such occasions,... | |
 | Spectator The - 1811 - 802 pages
...tinrecitativo, bear a remote alfiimv lo the lot» of their voices in ordinary conversation, or, lu 411-.. k more properly, are only the accents of their language...admiration, in the Italian music (if one may so call theini и Im .'i resemble their accents in discourse on such «и чмsions, are not unlike the ordinary... | |
 | Spectator The - 1816 - 348 pages
...in Italy knows very well, that the cadences in the recitativo bear a remote affinity to the tone of their voices in ordinary conversation, or to speak more properly, are only the accents of their Ianwuage made more musical and tuneful. Thus the notes of interrogation, or admiration, in the Italian... | |
 | Stendhal, Giuseppe Carpani, Théophile Frédéric Winckler, William Gardiner, Friedrich Schlichtegroll, Giuseppe Baretti - 1818 - 520 pages
...another. Every one, who has been long in Italy, knows very well that the cadences, in their Recitativo,are only the accents of their language, made more musical...interrogation, or admiration, in the Italian music, are not unlike the ordinary tones of an English voice, when we are angry: insomuch, that I have often... | |
 | 1822 - 788 pages
...the recitativo, bear a remote affinity to the tone ot their voices in ordinary conversation, or.'to ; so was his Tims the notes of interrogation, or admiration, n the Italian music (if one may so call them) which... | |
 | James Ferguson - 1823 - 450 pages
...a remote affinity to the tone of their voices in ordinary conversation, or, to speak more VOL. I. N properly, are only the accents of their language made...an English voice when we are angry ; insomuch that 1 have often seen our audiences extremely mistaken, as to what has been doing upon the stage, and expecting... | |
 | Lionel Thomas Berguer - 1823 - 356 pages
...in Italy knows very well, that the cadences in the recitativo bear a remote affinity to the tone of their voices in ordinary conversation, • or, to...accents in discourse on such occasions, are not unlike th« ordinary tones of an English voice when we are angry ; insomuch that I have often seen our audiences... | |
 | 1836 - 1118 pages
...Italy, knows тегу well that the cadencée in the recitativo bear a remote affinity to the tone of Z @ iheir language made more musical and tuneful. Thus the notes of interrogation, or admiration, in the... | |
 | Joseph Addison - 1837 - 480 pages
...in Italy knows very well, that the cadences n the recitativo bear a remote affinity to the tone of their voices in ordinary conversation, or, to speak...may so call them) which resemble their accents in liscourse on such occasions, are not unlike he ordinary tones of an English voice when we arc angry;... | |
| |
