Jerry Goldsmith - Music Scoring for American MoviesLulu.com, 2014 - 168 pages This essay represents the first organic study about Jerry Goldsmith (1929-2004), an emblematic American film composer from the second half of 20th century. His personality is examined within the cinematic production system in which he operated for about fifty years, collaborating with directors like John Huston, John Frankenheimer, Franklin J.Schaffner, Roman Polanski, Joe Dante, Richard Donner, Paul Verhoeven and many others. He won the Academy Award in 1976 for "The Omen". |
Table des matières
Preface | 3 |
Working Relationship with Directors | 57 |
3 | 69 |
CROSSING MOVIE GENRES | 76 |
Film Noir | 90 |
Action Thriller | 97 |
Horror | 103 |
Drama and Comedy | 112 |
4 | 120 |
REJECTED SCORES | 139 |
Mauricio Gabriel Dupuis 2014 | 157 |
| 165 | |
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Expressions et termes fréquents
20THCENTURY-FOX adventure movies Alan Silvestri Alexander Courage Alien artistic Bernard Herrmann brass career Cast cinematic collaboration composer’s composition concert contribution created directed by John director drama electronic especially example famous fanfare film Fred Schepisi genre Gold Goldsmith composed Goldsmith scored episodes Goldsmith wrote highlighting Hollywood horn instruments James Horner Jerry Goldsmith Joe Dante John Williams Klingon Klingon theme later main theme maintitle melody Michael Crichton Morricone Morton movie scoring movie’s musical language musicians Omen op.cit orchestral PARAMOUNT Paul Verhoeven percussions piano piece Planet Planetofthe Apes poser Production company radio recording rejected scores relationship rhythm rhythmic Richard Richard Donner Richard Fleischer Robert Wise Rosenman Rózsa saga scene Schaffner science fiction science-fiction scored some episodes seasons sequences sixty-minute episodes smith sound Soundtrack Star Trek started Steiner story studios Symphony television thriller timbre timbric tion Total Recall track TV series TV show Verhoeven WARNER BROS western write