Acting: A Handbook of the Stanislavski MethodToby Cole Crown Trade Paperbacks, 1995 - 272 pages "Known the world over as the father of the Method, Constantin Stanislavski revolutionized the way actors practice their craft. In this collection of essays by Stanislavski and his students who carried the method forward into the modern period, the actor will find indispensable aid in developing his or her craft, freeing creativity and spontaneity, and discover valuable advice from the master himself." -- Publisher's description |
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Page 20
... mechanical and stultifying character , he grows to realize that under the stress of natural instinct or emo- tion the body takes on the appropriate attitude or gesture , and this gesture was not at all what his teachers taught it was ...
... mechanical and stultifying character , he grows to realize that under the stress of natural instinct or emo- tion the body takes on the appropriate attitude or gesture , and this gesture was not at all what his teachers taught it was ...
Page 215
... mechanical composition into a psuedo - whole in the process of editing . On the contrary , this concept , analogous to that of the stage image , demands from the film actor firstly a knowledge of how consciously to exploit the ...
... mechanical composition into a psuedo - whole in the process of editing . On the contrary , this concept , analogous to that of the stage image , demands from the film actor firstly a knowledge of how consciously to exploit the ...
Page 220
... mechanical formal- isation of acting often encountered in the cinema can usually be explained by the coldness and mechanical formalisation in the director's method of work with the actor in shooting . I emphasize that the decisive ...
... mechanical formal- isation of acting often encountered in the cinema can usually be explained by the coldness and mechanical formalisation in the director's method of work with the actor in shooting . I emphasize that the decisive ...
Table des matières
INTRODUCTION BY Lee Strasberg | 13 |
THE ACTORS RESPONSIBILITY by Constantin Stanislavski | 23 |
THE WORK OF THE ACTOR by I Rapoport | 41 |
Droits d'auteur | |
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Expressions et termes fréquents
acting actor and director actor's creative artistic attention attitude audience become begins behaviour CALIFORNIA/SANTA CRUZ character Chichikov cinema colors concentration consciousness Constantin Stanislavski course create creative fantasy CRUZ The University CRUZ UNIVERSITY dead souls Desdemona direct dramatic elements emotions everything exercises experience expression external feeling of truth film gesture given Gogol Iago imagination important inner justification Lilina living manner material means mechanical method Moscow Art Theatre movement muscles muscular freedom muscular tension nature necessary object one's organic Othello performance person Petker phrase physical play playwright Plushkin problem production Quintillian reality rehearsal result rhythm Roderigo role SANTA CRUZ scene scenic script shooting simple action sound speak spectator speech stage action Stanislavski Stanislavski system subconscious technique theatrical thing thoughts tion Uncle Vanya understand University Library UNIVERSITY UNIVERSITY OF CALIFORNIA UNIVERSITY OF CALIFORNIA/SANTA Vakhtangov voice watch whole words