How Music Grew: From Prehistoric Times to the Present DayG.P. Putnam's Sons, 1925 - 602 pages |
Autres éditions - Tout afficher
How Music Grew: From Prehistoric Times to the Present Day Marion Bauer Affichage du livre entier - 1925 |
How Music Grew: From Prehistoric Times to the Present Day Marion Bauer,Ethel Rose Peyser Affichage d'extraits - 1939 |
Expressions et termes fréquents
19th century American Bach ballet beautiful became Beethoven Berlioz born Brahms called cantatas César Franck chamber music Chopin choral church music classic clavichord composers compositions concerts conductor Conservatory dance Debussy drama Edward MacDowell England English famous father festivals flute folk music France Franz Franz Liszt Frederick French fugue gave George German Gluck greatest Greek Handel harpsichord Haydn hear heard Henry Indian influence instruments Italian Italy Johann later Liszt lived Louis Louis Gruenberg Lully madrigals master melody Mendelssohn motets Mozart musicians Negro never opéra comique Opera House oratorio orches orchestra organ organist Paris performed pianist piano pieces played player poet popular poser pupil rhythm Richard Strauss romantic Russian Schubert Schumann sing singers sonata songs story string quartet style sung Symphony teacher things tone poems tunes Vienna Vincent d'Indy viol violin violinist voice Wagner write written wrote York young
Fréquemment cités
Page 458 - For the Use, Edification, and Comfort of the Saints in Publick and Private, especially in New England.
Page 26 - And Miriam the prophetess, the sister of Aaron, took a timbrel in her hand ; and all the women went out after her with timbrels and with dances. And Miriam answered them, Sing ye to the LORD, for he hath triumphed gloriously ; the horse and his rider hath he thrown into the sea.
Page 29 - By the rivers of Babylon There we sat down, yea, we wept, When we remembered Zion. Upon the willows in the midst thereof We hanged up our harps. For there they that led us captive required of us songs, And they that wasted us required of us mirth : ' Sing us one of the songs of Zion.
Page 259 - Some say, compar'd to Bononcini, That Mynheer Handel's but a ninny ; Others aver that he to Handel Is scarcely fit to hold a candle.' Strange all this difference should be Twixt Tweedledum and Tweedledee.
Page 196 - Composed by three famous masters: William Byr.d, Dr. John Bull, and Orlando Gibbons...
Page 111 - Kouros most Great, I give thee hail, Kronian, Lord of all that is wet and gleaming, thou art come at the head of thy Daimones. To Dikte for the Year, Oh, march, and rejoice in the dance and song...
Page 27 - Make thee two trumpets of silver; of a whole piece shalt thou make them: that thou mayest use them for the calling of the assembly, and for the journeying of the camps.
Page 366 - You are a man of genius but you write such eccentric stuff, it is hardly possible to sing it." Never did Wagner feel that he was at fault, so great was his faith in his ideas of doing away with arias, of not having stopping places in an opera, just to begin some other song, and of making the words equally important to the jnusic.
Page 204 - Humphreys, lately returned from France, and is an absolute Monsieur, as full of form, and confidence, and vanity, and disparages everything, and everybody's skill but his own.
Page 306 - Ye know why the forms are fair, ye hear how the tale is told; It is all triumphant art, but art in obedience to laws...
Informations bibliographiques
| Titre | How Music Grew: From Prehistoric Times to the Present Day |
| Auteurs | Marion Bauer, Ethel Rose Peyser |
| Édition | 4 |
| Éditeur | G.P. Putnam's Sons, 1925 |
| Original provenant de | l'Université du Michigan |
| Numérisé | 12 avr. 2007 |
| Longueur | 602 pages |
| Exporter la citation | BiBTeX EndNote RefMan |