The Cinema of EisensteinRoutledge, 7 oct. 2020 - 344 pages The Cinema of Eisenstein is David Bordwell's comprehensive analysis of the films of Sergei Eisenstein, arguably the key figure in the entire history of film. The director of such classics as Potemkin,Ivan the Terrible, October, Strike, and Alexander Nevsky, Eisenstein theorized montage, presented Soviet realism to the world, and mastered the concept of film epic. Comprehensive, authoritative, and illustrated throughout, this classic work deserves to be on the shelf of every serious student of cinema. |
Table des matières
The Making and Remaking of Segei Eisenstein | 1-7 |
The Silent Films | 2-2 |
Film Theory in the Silent | 2-136 |
Pedagogy | 2-154 |
Film Theory 19301948 | 4-20 |
The Late Films | 6-3 |
Chronology | 239 |
Bibliography | 250 |
Photo Credits | 263 |
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Expressions et termes fréquents
abstract action actor aesthetic agitation Alexander Nevsky Alexandrov artwork associations audience Battleship Potemkin becomes Bezhin Meadow Bolshevik boyars camera central characters close-up color composition conception concrete Constructivist contemporary contrast create culture cutting dialectical director dominant dramatic dynamic ecstasy editing unit Efrosinia Eisenstein emotional episode essays expressive film form film theory film’s filmmaking formal Formalist frame gesture heroic realism historical ideas intellectual montage intercut intertitles Ivan the Terrible Ivan’s Katerina Kerensky kulaks Kuleshov later Lenin Leyda lines Marfa material metaphorical method Meyerhold mise en scène Moscow motifs movement Nizhny October Odessa Steps oprichnina organization overtones parallel pathos peasants perception plot poetics of cinema portraying Potemkin practice principles problems Proletkult Pudovkin revolutionary Russian scene sequence Sergei shot silent films Socialist Realism spectacle spectator spectator’s stage Stalin Strike stylistic suggests techniques theatre theatrical thematic theme theoretical tradition Tretyakov unity Vakulinchuk VGIK viewer visual Vladimir workers writings