The Power of the Center: A Study of Composition in the Visual ArtsUniversity of California Press, 1982 - 227 pages |
Table des matières
THE STRONGEST CENTER AND ITS RIVALS | 10 |
The Pull of Gravity 10 The Viewer as a Dynamic Center 12 Looking | 36 |
Comprehension Requires Boundaries 42 Once More the Viewer | 49 |
Droits d'auteur | |
11 autres sections non affichées
Autres éditions - Tout afficher
The Power of the Center: A Study of Composition in the Visual Arts Rudolf Arnheim Aperçu limité - 1983 |
The Power of the Center: A Study of Composition in the Visual Arts Rudolf Arnheim Affichage d'extraits - 1982 |
The Power of the Center: A Study of Composition in the Visual Arts Rudolf Arnheim Affichage d'extraits - 1982 |
Expressions et termes fréquents
action anchoring center angle architecture artist attraction balancing center base Ben Nicholson body building Cartesian grid central perspective central vertical centric Christ circle circular color components compositional center concentric configuration contrapposto converge creates crossing defined Degas depth dimension depth effect deviations diagonal direction distance dominant downward dynamic center Edgar Degas ellipse example eyes flat foreground format frame framework frontal plane function ground hand Hann Trier head interaction landscape line of sight look Madonna meaning Michelangelo Michelangelo's middle Mondrian moves Museum node oblique organized painter painting particular pattern Paul Klee perceived perceptual physical space pictorial space picture Piet Mondrian rectangle rectangular relation represented scene sculpture shape spatial systems square structure surface surrounding symbolic symmetry tension theme three-dimensional three-dimensional space tion tondo torso upper upright vanishing point vectors vertical and horizontal viewer visual objects visual weight wall Western painting wheel window whereas whole