The Quarterly Review, Volume 200William Gifford, Sir John Taylor Coleridge, John Gibson Lockhart, Whitwell Elwin, William Macpherson, Sir John Murray IV, William Smith, Rowland Edmund Prothero (Baron Ernle), George Walter Prothero John Murray, 1904 |
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Page 13
... expression and leisurely development . The large and more philosophic side of literary history , though present at first , becomes less and less visible ; and there is no scholarly apparatus or bibliography , which is the backbone of ...
... expression and leisurely development . The large and more philosophic side of literary history , though present at first , becomes less and less visible ; and there is no scholarly apparatus or bibliography , which is the backbone of ...
Page 16
... expression , has its original source in the genius for abstraction peculiar to the Latin language , which encouraged the use of the figure of personification in poetry In this sphere it enjoyed a longer life than in philosophy ...
... expression , has its original source in the genius for abstraction peculiar to the Latin language , which encouraged the use of the figure of personification in poetry In this sphere it enjoyed a longer life than in philosophy ...
Page 20
... expression , is a triumph of his method , of his skill in bringing many historic rays to converge upon one object . On the other hand , his apprehension of many lesser poets remains a little blank ; his connoisseurship , or sense of ...
... expression , is a triumph of his method , of his skill in bringing many historic rays to converge upon one object . On the other hand , his apprehension of many lesser poets remains a little blank ; his connoisseurship , or sense of ...
Page 21
... ; Shakespeare himself at times fails in them . In English criticism the sense of form and beauty is too often limited to style and expression , and too seldom extends to outline and harmony . Mr Court- MEANING OF LITERARY HISTORY 21.
... ; Shakespeare himself at times fails in them . In English criticism the sense of form and beauty is too often limited to style and expression , and too seldom extends to outline and harmony . Mr Court- MEANING OF LITERARY HISTORY 21.
Page 42
... expression they are governed by a type distinct from that of Giotto . The faces are oval and the features rather subdued than incisive in their effect . That the artist had a gift for portraiture is generally known ; but even in his ...
... expression they are governed by a type distinct from that of Giotto . The faces are oval and the features rather subdued than incisive in their effect . That the artist had a gift for portraiture is generally known ; but even in his ...
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Page 441 - Thou, whose exterior semblance doth belie Thy soul's immensity ! Thou best philosopher, who yet dost keep Thy heritage ! thou eye among the blind, That, deaf and silent, read'st the eternal deep Haunted for ever by the eternal mind — Mighty prophet ! Seer blest, On whom those truths do rest, Which we are toiling all our lives to find...
Page 426 - The late-past frosts tributes of pleasure bring. Grief melts away Like snow in May, As if there were no such cold thing. Who would have thought my shrivelled heart Could have recovered greenness?
Page 441 - Spite of this flesh to-day I strove, made head, gained ground upon the whole!" As the bird wings and sings, Let us cry, "All good things Are ours, nor soul helps flesh more, now, than flesh helps soul!
Page 428 - I saw Eternity the other night, Like a great Ring of pure and endless light, All calm, as it was bright; And round beneath it, Time in hours, days, years, Driven by the spheres Like a vast shadow moved; in which the world And all her train were hurled.
Page 357 - But Jesus did not commit himself unto them, because he knew all men, and needed not that any should testify of man, for he knew what was in man.
Page 242 - Evolution is an integration of matter and concomitant dissipation of motion ; during which the matter passes from an indefinite, incoherent homogeneity to a definite, coherent heterogeneity ; and during •which the retained motion undergoes a parallel transformation.
Page 340 - I remember, the Players have often mentioned it as an honour to Shakespeare, that in his writing (whatsoever he penn'd) hee never blotted out a line. My answer hath been, would he had blotted a thousand.
Page 608 - God from all eternity did, by the most wise and holy counsel of his own will, freely and unchangeably ordain whatsoever comes to pass : yet so, as thereby neither is God the author of sin, nor is violence offered to the will of the creatures, nor is the liberty or contingency of second causes taken away, but rather established.
Page 344 - Alas ! alas ! Why, all the souls that were, were forfeit once; And He that might the vantage best have took, Found out the remedy: How would you be, If he, which is the top of judgment, should But judge you as you are? O, think on that; And mercy then will breathe within your lips, Like man new made.