The Quarterly Review, Volume 200William Gifford, Sir John Taylor Coleridge, John Gibson Lockhart, Whitwell Elwin, William Macpherson, Sir John Murray IV, William Smith, Rowland Edmund Prothero (Baron Ernle), George Walter Prothero John Murray, 1904 |
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Page 27
... facts , accepted as such by all serious and intelligent students , how little has been added to that particular fabric of human ... fact , in which the subjective and objective are harder to distinguish , even for those most desirous of ...
... facts , accepted as such by all serious and intelligent students , how little has been added to that particular fabric of human ... fact , in which the subjective and objective are harder to distinguish , even for those most desirous of ...
Page 30
... fact , the authors leave us no option but to believe that this call took place in 1296 , as the artist , after painting the Allegories , and possibly also the scenes from the life of Christ , proceeded to Rome before the end of that ...
... fact , the authors leave us no option but to believe that this call took place in 1296 , as the artist , after painting the Allegories , and possibly also the scenes from the life of Christ , proceeded to Rome before the end of that ...
Page 33
... fact would seem in itself a conclusive evidence of their purely Florentine character ; nor can this purity of origin be doubted for a moment by any one who has examined them or given but a cursory glance to the lovely relics of the ...
... fact would seem in itself a conclusive evidence of their purely Florentine character ; nor can this purity of origin be doubted for a moment by any one who has examined them or given but a cursory glance to the lovely relics of the ...
Page 36
... Matthew's martyrdom described as a decapitation , when , in fact , he is stabbed in the back while standing before the altar , shows con- clusively that the scene made little or no impression upon 36 GIOTTO AND EARLY ITALIAN ART.
... Matthew's martyrdom described as a decapitation , when , in fact , he is stabbed in the back while standing before the altar , shows con- clusively that the scene made little or no impression upon 36 GIOTTO AND EARLY ITALIAN ART.
Page 44
... fact that , on the south wall of the chapel , the framing is not adapted to the frescoes , and is therefore hardly likely to be of the same date . But the question whether Giotto was or was not the author of the now mutilated frescoes ...
... fact that , on the south wall of the chapel , the framing is not adapted to the frescoes , and is therefore hardly likely to be of the same date . But the question whether Giotto was or was not the author of the now mutilated frescoes ...
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Page 441 - Thou, whose exterior semblance doth belie Thy soul's immensity ! Thou best philosopher, who yet dost keep Thy heritage ! thou eye among the blind, That, deaf and silent, read'st the eternal deep Haunted for ever by the eternal mind — Mighty prophet ! Seer blest, On whom those truths do rest, Which we are toiling all our lives to find...
Page 426 - The late-past frosts tributes of pleasure bring. Grief melts away Like snow in May, As if there were no such cold thing. Who would have thought my shrivelled heart Could have recovered greenness?
Page 441 - Spite of this flesh to-day I strove, made head, gained ground upon the whole!" As the bird wings and sings, Let us cry, "All good things Are ours, nor soul helps flesh more, now, than flesh helps soul!
Page 428 - I saw Eternity the other night, Like a great Ring of pure and endless light, All calm, as it was bright; And round beneath it, Time in hours, days, years, Driven by the spheres Like a vast shadow moved; in which the world And all her train were hurled.
Page 357 - But Jesus did not commit himself unto them, because he knew all men, and needed not that any should testify of man, for he knew what was in man.
Page 242 - Evolution is an integration of matter and concomitant dissipation of motion ; during which the matter passes from an indefinite, incoherent homogeneity to a definite, coherent heterogeneity ; and during •which the retained motion undergoes a parallel transformation.
Page 340 - I remember, the Players have often mentioned it as an honour to Shakespeare, that in his writing (whatsoever he penn'd) hee never blotted out a line. My answer hath been, would he had blotted a thousand.
Page 608 - God from all eternity did, by the most wise and holy counsel of his own will, freely and unchangeably ordain whatsoever comes to pass : yet so, as thereby neither is God the author of sin, nor is violence offered to the will of the creatures, nor is the liberty or contingency of second causes taken away, but rather established.
Page 344 - Alas ! alas ! Why, all the souls that were, were forfeit once; And He that might the vantage best have took, Found out the remedy: How would you be, If he, which is the top of judgment, should But judge you as you are? O, think on that; And mercy then will breathe within your lips, Like man new made.