Voice Lessons: French Mélodie in the Belle EpoqueOxford University Press, 20 janv. 2010 - 424 pages Language, education, politics, and music come together in Katherine Bergeron's Voice Lessons, a study of the French mélodie in the Belle Epoque. Close readings of songs by Fauré, Debussy, and Ravel, along with poems, sound recordings, and other historical documents, seek to uncovers the cultural meanings of this art: why it emerged, why it mattered, and why it eventually disappeared. |
Table des matières
CHAPTER TWO The Mother Tongue | |
CHAPTER THREE Free Speech Free Verse and Music Before | |
Things | |
Notes | |
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Expressions et termes fréquents
accent become Bréal Brémont Brunot called Cambridge Chanson d'Eve chant chapter Charles Panzéra Claire Croiza Claude Debussy composer cycle Debussy's declamation diction edition essay Eve's expression Faure figure final France free verse French language French song Gabriel Fauré Hahn hear Histoires Ibid idea Jane Bathori Jules Ferry kind Koechlin Koschwitz Laloy langue Legouvé Lerberghe Lerberghe's letter linguistic Mallarmé Marage Mary Garden Mauclair melody modern French Musical Example musicale musique mute notation nuances opera Paradise Paris Parisian parole Passy Paul Passy Pelléas et Mélisande performance phonetic phonétique phrase piano poem poem's poetic poetry poets prononciation française pronunciation Ravel reading recording Renard Revue Reynaldo Hahn rhythm Rousselot Sarah Bernhardt seems sense singers singing song's sound Souza speaking speech story suggested syllable symbolism symbolists timbre tone tongue Traité turn University Press Valéry Verlaine Verlaine's vers vocal voice voix parlée vowel words writing