From Dickens to HardyBoris Ford Penguin Books, 1973 - 517 pages |
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Page 159
... characters unfold gradually and the effects are cumulative . There is a reflectiveness on the part of his best char- acters , a reflectiveness that compels discriminations about character , society , and even civilization . Besides ...
... characters unfold gradually and the effects are cumulative . There is a reflectiveness on the part of his best char- acters , a reflectiveness that compels discriminations about character , society , and even civilization . Besides ...
Page 279
... character taken alone are sufficiently distinctive to set this novel apart from others . I have found that youthful readers nowa- days are restive when confronted by such careful plotting and such familiar traits of character ; they shy ...
... character taken alone are sufficiently distinctive to set this novel apart from others . I have found that youthful readers nowa- days are restive when confronted by such careful plotting and such familiar traits of character ; they shy ...
Page 286
... character moves as of the character itself ' ( Cross , II , 10 ) . Middlemarch authorizes an extension of this principle ; George Eliot has created a common medium which com- pletely immerses most of the characters . It is hard to ...
... character moves as of the character itself ' ( Cross , II , 10 ) . Middlemarch authorizes an extension of this principle ; George Eliot has created a common medium which com- pletely immerses most of the characters . It is hard to ...
Table des matières
BORIS FORD | 7 |
G D KLINGOPULOS | 59 |
R C CHURCHILL | 119 |
Droits d'auteur | |
17 autres sections non affichées
Expressions et termes fréquents
achievement aesthetic appears architecture artistic attitude Bleak House Brontë Browning Butler Cambridge Carlyle Carlyle's character Charlotte Brontë Chartist Church Chuzzlewit criticism D. H. Lawrence death Dickens Dickens's Disraeli dramatic early effect Emily Emily Brontë emotion England English Literature Essays experience F. R. Leavis feeling fiction gentry George Eliot Gissing Hardy Hardy's Heathcliff History Hopkins human impression intellectual interest kind Kipling later less Letters literary Little Dorrit living Matthew Arnold Meredith Middlemarch mind modern moral Morris nature never Nineteenth Century novel novelist Oxford passion perhaps period poem poet poetic political popular Pre-Raphaelite prose reader reading religious repr Review romantic Rossetti Ruskin Samuel Butler scene seems sense sentiment social society spirit story T. S. Eliot Tennyson Thackeray Thackeray's theme things thought tion tradition Trollope Trollope's utilitarianism verse Victorian architecture vols word writing wrote Wuthering Heights York