From Dickens to HardyBoris Ford Penguin Books, 1973 - 517 pages |
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Page 264
... emotion which dominates her being we shall be forced to the conclusion , fundamental for an understanding of the spirit in which the novel was conceived , that there is about it a quality which can properly be called religious . Once ...
... emotion which dominates her being we shall be forced to the conclusion , fundamental for an understanding of the spirit in which the novel was conceived , that there is about it a quality which can properly be called religious . Once ...
Page 265
... emotion so expressed extend , in the con- trast which the novel so consistently stresses between Heathcliff and ... emotions which serve at best to adorn life and others whose absence is felt to be equivalent to spiritual death , we can ...
... emotion so expressed extend , in the con- trast which the novel so consistently stresses between Heathcliff and ... emotions which serve at best to adorn life and others whose absence is felt to be equivalent to spiritual death , we can ...
Page 271
... emotion is so powerful as to sweep aside the impression of passivity left by Linton cannot alter the fact that both emotions formed a part of Emily Brontë's intuition of life , that Catherine's identification with the forces of ...
... emotion is so powerful as to sweep aside the impression of passivity left by Linton cannot alter the fact that both emotions formed a part of Emily Brontë's intuition of life , that Catherine's identification with the forces of ...
Table des matières
BORIS FORD | 7 |
G D KLINGOPULOS | 59 |
R C CHURCHILL | 119 |
Droits d'auteur | |
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Expressions et termes fréquents
achievement aesthetic appears architecture artistic attitude Bleak House Brontë Browning Butler Cambridge Carlyle Carlyle's character Charlotte Brontë Chartist Church Chuzzlewit criticism D. H. Lawrence death Dickens Dickens's Disraeli dramatic early effect Emily Emily Brontë emotion England English Literature Essays experience F. R. Leavis feeling fiction gentry George Eliot Gissing Hardy Hardy's Heathcliff History Hopkins human impression intellectual interest kind Kipling later less Letters literary Little Dorrit living Matthew Arnold Meredith Middlemarch mind modern moral Morris nature never Nineteenth Century novel novelist Oxford passion perhaps period poem poet poetic political popular Pre-Raphaelite prose reader reading religious repr Review romantic Rossetti Ruskin Samuel Butler scene seems sense sentiment social society spirit story T. S. Eliot Tennyson Thackeray Thackeray's theme things thought tion tradition Trollope Trollope's utilitarianism verse Victorian architecture vols word writing wrote Wuthering Heights York