Michelle Cliff's Novels: Piecing the Tapestry of Memory and HistoryP. Lang, 1999 - 199 pages At the center of Jamaican-born Michelle Cliff's novels is the exploration of the interplay between memory and history. Noraida Agosto examines Cliff's representation of memory as the part of history that has been suppressed because of its revolutionary potential. Memories of slave rebellions, for instance, were erased through omission from official historical accounts to discourage resistance among slaves. Cliff's novels are an attempt to recover these erased memories, which could generate resistance to modern oppressions. This recovery of devalued memories also entails a validation of non-elite beliefs, languages, and art forms in order to debunk dominant practices. |
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Table des matières
A CounterHistory of Discovery and Colonization | 19 |
Memory and Women Bodies and History | 45 |
Memory and Resistance | 74 |
Droits d'auteur | |
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Expressions et termes fréquents
Abeng According African allows American Annie argues attempt authority awareness becomes belief body called Caribbean challenge chapter characters claim Clare Cliff Cliff's texts Clover colonialism connects constructed continues create Creole cultural death define discourse dominant English European example experience female final force fragments Free Enterprise gender guerrillas hybridity identity ideology illustrates Indians individual Jamaica keep land language lives male Maroons Mary Ellen meaning memory Michelle mother move movement multiple Nanny narrative narrator novels official oppression oral passing past Patois political position practices privileged provides question race racial readers reading rebels refers representation represents resistance revolutionary seems shows signify slave slavery society story struggle suggests Telephone to Heaven tell texts tradition turn United voice West woman women writing written York