The Panorama

Couverture
Reaktion Books, 2002 - 272 pages
Invented in 1788, the panorama reached the height of its popularity at the time of the 1900 Universal Exhibition. Vast circular canvases installed in purpose-built rotundas were designed to be viewed from centrally placed platforms and attracted an admiring public. The aim was to produce a perfect illusion. Thus the relationship between viewer and 'reality' underwent a profound mutation, opening up a new logic according to which the world was transformed into a spectacle and images substituted for direct experience.

This lavishly illustrated book examines the wide variety of panoramas in both the Old and New Worlds. Included among views of cities are Robert Barker's View of Edinburgh and Karl Friedrich Schinkel's View of Palermo, as well as depiction of Paris, Moscow, Jerusalem and Lima; among historical themes, The History of the Century and Battle of Moscow proved especially popular. The author expands his subject to encompass the sister formats of diorama and cineorama.
 

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Table des matières

Introduction
7
2
23
Panoramas of Germany Switzerland and the United States
51
The Great Exhibitions
66
Prefigurations
77
The Ideal Landscape
84
9
104
Compensation and Control
134
15
149
17
182
A Genealogy of the Panorama
257
Photographic Acknowledgements
266
Droits d'auteur

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À propos de l'auteur (2002)

Bernard Comment, born in Switzerland, lives and works in Paris. He is the author of L'ombre de mémoire (1990), Roland Barthes, vers le neutre (1991) and Allées et venues (1992), which won the Prix Antigone in 1993.

Informations bibliographiques