Formalized Music: Thought and Mathematics in Composition

Couverture
Pendragon Press, 1992 - 387 pages
This is a new, revised, and expanded edition of Xenakis's landmark book of 1971. In addition to three totally new chapters examining recent breakthroughs in music theory, two original computer programs illustrating the actual realization of newly proposed methods of composition, and an appendix of the very latest developments of stochastic synthesis as an invitation to future exploration, Xenakis offers a very critical self-examination of his theoretical propositions and artistic output of the past thirty-five years. This edition is an essential tool for understanding the man and the thought processes of one of this century's most important and revolutionary musical figures.

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Table des matières

Free Stochastic Music
1
Markovian Stochastic MusicTheory
43
Conclusions and Extensions for Chapters IVI
178
Droits d'auteur

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Expressions et termes fréquents

À propos de l'auteur (1992)

Iannis Xenakis is an avant-garde Greek composer who attempts to apply mathematical constructs to musical composition, such as using the theory of sets, symbolic logic, and probabilistic calculus. He was the founder and director of the Centre d' Etudes Mathematiques et Automatiques Musicales in Paris and at the Center for Mathematical and Automated Music at Indiana University, where he served on the faculty from 1967 to 1972. In this age of technology, his work captivates many other composers and may prove to be one of the formative generators of compositional technique in the late twentieth century.

Informations bibliographiques