Music in Television: Channels of Listening

Couverture
James Deaville
Routledge, 1 mars 2011 - 256 pages

Music in Television is a collection of essays examining television’s production of meaning through music in terms of historical contexts, institutional frameworks, broadcast practices, technologies, and aesthetics. It presents the reader with overviews of major genres and issues, as well as specific case studies of important television programs and events. With contributions from a wide range of scholars, the essays range from historical-analytical surveys of TV sound and genre designations to studies of the music in individual programs, including South Park and Dr. Who.

 

Table des matières

Series Foreword
Coperettas Detecterns and Space Operas Music and Genre
Television Music and the History of Television Sound
Rural Music on American Television 19482010
Bad Wolf
From Punk to the Musical South Park Music and the Cartoon Format
Its Whats Happening Baby Television Music and the Politics of
Channeling Glenn Gould Masculinities in Television and
Generation X South Park and Television Music Composition
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À propos de l'auteur (2011)

James Deaville is a Professor in the School for Studies in Art and Culture: Music, at Carleton University, Ottawa, Canada. His interest in television music focuses on how music has played a role in the reporting of news, and has published articles on news music used for 9/11 and for the war in Iraq.

Informations bibliographiques