Elizabeth GaskellIndiana University Press, 1987 - 224 pages When Patsy Stoneman's Elizabeth Gaskell first appeared in 1987, it was welcomed as 'the first major full-length feminist study of Gaskell' (Victorian Studies). Though long out of print, it is still widely used and cited in university contexts, making it certain that this augmented edition will be equally welcome. This pioneering study, described as 'a model of feminist criticism' (The Year's Work in English Studies), reveals Gaskell as an important social analyst who deliberately challenged the Victorian disjunction between public and private ethical values, maintaining a steady resistance to aggressive authority and advocating female friendship, rational motherhood and the power of speech as forces for social change. Since 1987, Gaskell's work has risen from minor to major status. Despite a wealth of subsequent gender-oriented criticism, however, Stoneman's 'combination of psychoanalytic and political analysis', which Choice found 'thought-provoking' in 1987, remains challenging in its use of modern motherhood theories. This new edition, therefore, presents the original text unchanged (except for bibliographical updating) together with a new critical Afterword. Patsy Stoneman's extensive new Afterword offers detailed evaluation of all the Gaskell criticism published between 1985 and 2004 which has a bearing on her subject, and thus provides both a wide-ranging debate on the social implications of motherhood, and an invaluable survey of Gaskell criticism over the last twenty years. This edition, with an updated bibliography and index, will bring a well-known classic to a new audience, while also offering a uniquely comprehensive overview of current Gaskell studies. Book jacket. |
Table des matières
The Story | 1 |
Blending the Selves | 21 |
Mary Barton 1848 | 68 |
Cranford 1851 | 87 |
Ruth 1853 | 99 |
North and South 1854 | 118 |
Sylvias Lovers 1863 | 139 |
Cousin Phillis 1863 | 159 |
Wives and Daughters 1865 | 170 |
Autres éditions - Tout afficher
Expressions et termes fréquents
aggression argues authority baby Bellingham Chapple Chapter Charlotte Brontë child Chodorow consciousness Cousin Phillis Cranford Cynthia domestic duty Elizabeth Gaskell Esther father feel feminine feminist criticism fiction Gaskell's Gelpi gender George Eliot Gérin Gibson Gilbert and Gubar Gilligan girls Hamley Harry Carson heroine human husband ideology industrial industrial novel innocence Jenkyns John Barton Keohane Kinraid lady language Lansbury letters literary London Lucas male Margaret marriage married Marxist Mary Barton Mary Wollstonecraft masculine maternal middle-class Molly Molly's moral mother motherhood nature Noddings North and South novel nurturing O'Brien parental patriarchal Paul Philip political relationships repressed responsibility Roger role Rosaldo Ruth Ruth's Sara Ruddick seems sexual shame Showalter silence social speak Spender stories Sylvia's Lovers theory Thornton truth Unitarian University Press Victorian voice wife William Gaskell Wives and Daughters Wollstonecraft woman women writers working-class writing
Références à ce livre
Tainted Souls and Painted Faces: The Rhetoric of Fallenness in Victorian Culture Amanda Anderson Affichage d'extraits - 1993 |
The Reader's Repentance: Women Preachers, Women Writers, and Nineteenth ... Christine L. Krueger Aucun aperçu disponible - 1992 |