The SAGE Handbook of Television Studies
"Genuinely transnational in content, as sensitive to the importance of production as consumption, covering the full range of approaches from political economy to textual analysis, and written by a star-studded cast of contributors"
"Finally, we have before us a first rate, and wide ranging volume that reframes television studies afresh, boldly synthesising debates in the humanities, cultural studies and social sciences...This volume should be in every library and media scholar’s bookshelf."
Bringing together a truly international spread of contributors from across the UK, US, South America, Mexico and Australia, this Handbook charts the field of television studies from issues of ownership and regulation through to reception and consumption.
Separate chapters are dedicated to examining the roles of journalists, writers, cinematographers, producers and manufacturers in the production process, whilst others explore different formats including sport, novella and soap opera, news and current affairs, music and reality TV. The final section analyses the pivotal role played by audiences in the contexts of gender, race and class, and spans a range of topics from effects studies to audience consumption.The SAGE Handbook of Television Studies is an essential reference work for all advanced undergraduates, graduate students and academics across broadcasting, mass communication and media studies.
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Affect Citizenship and Interculturality
Television News and Current Affairs
Music on Television
Reality Celebrity Motherhood and the Transmediated Grotesque 7 PART IV AUDIENCES RECEPTION CONSUMPTION 1 2
Making Sense of Television Audiences
Television as We Know
TV Writers Compensation and the Effects on Writers
Recycling as the Subjects of Television Studies
Effects and Cultivation
Active Audience and Uses and Gratifications
Raced Audiences and the Logic of Representation
Classed Audiences in the Age of Neoliberal Capitalism