Transnational European Television Drama: Production, Genres and Audiences

Couverture

This book deals with the role of television drama in Europe as enabler of transnational, cultural encounters for audiences and the creative community. It demonstrates that the diversity of national cultures is a challenge for European TV drama but also a potential richness and source of creative variation. Based on data on the production, distribution and reception of recent TV drama from several European countries, the book presents a new picture of the transnational European television culture. The authors analyse main tendencies in television policy and challenges for national broadcasters coming from new global streaming services. Comparing cases of historical, contemporary and crime drama from several countries, this study shows the importance of creative co-production and transnational mediated cultural encounters between national cultures of Europe.



 

Table des matières

Transnational European TV Studies
1
Chapter 2 A Theory of Mediated Cultural Encounters
23
European Television Policy and the Emergence of Streaming Services
49
Chapter 4 Networks and Patterns of European TV Drama Coproduction
79
Cultural Encounters Behind the Scenes
99
Chapter 6 National Patterns of TV Drama Consumption in Europe
129
How Drama Translates into Cultural Encounters
153
Contemporary Drama
183
Crime Drama
223
Historical Drama
256
European TelevisionDiversity with Very Little Unity?
297
Index
311
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À propos de l'auteur (2017)

The co-authors of the book make up the Copenhagen MeCETES team, and are all from the University of Copenhagen, Denmark. From the Department of Communication: Professor Emeritus Ib Bondebjerg, Associate Professors Rasmus Helles, Eva Novrup Redvall, Henrik Søndergaard and PhD Fellow Signe Sophus Lai. Cecilie Astrupgaard is from the Department of Sociology.



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