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the Soviet Film Industry in
Chapter Two The Proletarian Episode in Soviet Cinema
The Emergence of Sound
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35mm print action aesthetic appears argued artistic attempt attention audience become begins camera certainly changes Chapaev chapter characters classical concerns Conference consistently continued criticism cultural debates demonstrate direction discussion early editing effect Eisenstein entirely example experimentation face fact figure Film Factory film style film's Five-Year Plan frame Hollywood ideological immediately important Jolly Fellows Kino Maksim masses montage flourish Moscow narrative offered official opening organizations overall particular Party perhaps political popular cinema position practice praise presented principal production Pudovkin question release rhetoric Russian scene screen seemingly seems sequence Sergei serve shift shot shown significant simplicity single social Socialist Realism song sound Soviet Cinema Soviet film industry Soviet Montage Soviet Montage filmmakers specific studio style stylistic success suggested Taylor throughout twenties ultimately Union workers