European Cinema and Television: Cultural Policy and Everyday LifeIb Bondebjerg, Eva Novrup Redvall, Andrew Higson Springer, 19 avr. 2016 - 265 pages This book offers comparative studies of the production, content, distribution and reception of film and television drama in Europe. The collection brings together scholars from the humanities and social sciences to focus on how new developments are shaped by national and European policies and practices, and on the role of film and television in our everyday lives. The chapters explore key trends in transnational European film and television fiction, addressing issues of co-production and collaboration, and of how cultural products circulate across national borders. The chapters investigate how watching film and television from neighbouring countries can be regarded as a special kind of cultural encounter with the possibility of facilitating reflections on national differences within Europe and negotiations of what characterizes a national or a European identity respectively. |
Table des matières
| 1 | |
Culture Identity and Everyday Life | 23 |
Film and Media Policy Between the National and the Transnational | 78 |
National Cinemas European Cinemas | 124 |
National Television European Television | 192 |
| 257 | |
Autres éditions - Tout afficher
European Cinema and Television: Cultural Policy and Everyday Life Ib Bondebjerg,Eva Novrup Redvall,Andrew Higson Aucun aperçu disponible - 2018 |
European Cinema and Television: Cultural Policy and Everyday Life Ib Bondebjerg,Eva Novrup Redvall,Andrew Higson Aucun aperçu disponible - 2015 |
Expressions et termes fréquents
Accessed action American audiences become borders British broadcasting chapter characters cinema clearly co-production context countries create creative crime critical cultural Danish dimension discussed distribution diversity East economic elements English established Eurimages Europe European audiovisual European Commission European films everyday example experience fact fiction Figure film and television focus forms funding genre Germany global groups identity important increased industry initiatives instance institutions interest Irish issues Italian Italy Killing lives London look major means migrant narrative Norwegian particular play political popular practices Press production programme promotion reach recent result role scheme screens sector seen sense share shows social society space specific stories strong structure Studies success tion traditional transnational TV drama Union University West