Installation and the Moving ImageColumbia University Press, 12 mai 2015 - 216 pages Film and video create an illusory world, a reality elsewhere, and a material presence that both dramatizes and demystifies the magic trick of moving pictures. Beginning in the 1960s, artists have explored filmic and televisual phenomena in the controlled environments of galleries and museums, drawing on multiple antecedents in cinema, television, and the visual arts. This volume traces the lineage of moving-image installation through architecture, painting, sculpture, performance, expanded cinema, film history, and countercultural film and video from the 1960s, 1970s, and 1980s. |
Table des matières
1 | |
11 | |
2 Painting | 21 |
3 Sculpture | 38 |
4 Performance | 53 |
5 Film History | 76 |
6 Film as Film | 104 |
Detractions and Revisions | 129 |
8 The Dialectics of Spectatorship | 142 |
9 Expanded Cinema | 164 |
10 Sound | 207 |
11 Video Installation | 226 |
12 Closing Thoughts | 252 |
278 | |
295 | |