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and towel. It was not till after the guests were seated round the table that the cloth was laid. On it were then set the saltcellars, knives, occasionally spoons, and bread, and cups of wine. There were no forks nor plates; the fingers were thought to answer all the purposes of the former, and instead of the latter, each couple of guests had between them a large tranchoir (or trencher); that is to say, a thick, flat slice of bread, of second quality, on which a portion of fish or meat sufficient for two was laid, and on which it was carved, the gravy, as a rule, running through upon the tablecloth. As soon as the course was finished, the trenchers were thrown into the alms-basket, for the use of the poor. At the conclusion of the meal the table was removed, basins and ewers were a second time supplied for the washing of hands, which doubtless was by this time again necessary, and cups of wine were handed round to the guests, still sitting as at dinner; after which the minstrels were introduced; ..

7. The minstrels or 'jongleurs' (so called from a corruption of jougleurs, from which we get our word 'jugglers') were an important class in the Middle Ages, and an indispensable element at a festival. They led a life of perpetual wandering, and were always welcome, partly for their art's sake, and partly for the sake of the news which they brought, for news was then a scarce commodity. If the after-dinner guests were in a serious mood, the jouglers would sing old romances of love and chivalry; if they found the company mirthfully disposed, they sang satirical or political songs, or related amusing stories, or exhibited v. & VI.

feats of tumbling and sleight of hand; and their tales, songs, and performances were often of a character which painfully illustrates the coarse licentiousness' at this time pervading all classes of society. The fourteenth century was not a busy or industrious age -people who lived in the country were in no hurry to break up the social gathering, and 'after the meal,' says a contemporary romance, they then go to play, as each likes best, either in forests or on rivers' (that is, hawking; for water-fowl, such as the heron and the teal, were the chief 'quarry,' or prey, of the hawk), 'or in amusements of other kinds ... chess, tables, and dice.'

8. The evening meal was at five o'clock; after which, we are told, the family usually went to bed, for artificial light was bad and dear. Wax was used only in palaces and churches, and even tallow was twopence per pound-an enormous price. A candle offered at the shrine of a saint was in the truest sense an oblation; 'for it cost the bearer the sacrifice of a rare personal pleasure.' Wood fires were almost universal. Charcoal, indeed, was occasionally used in the dwellings of the rich; but coal appears to have been used for smelting purposes only. Reading was no common accomplishment, and books, being, of course, still written with the hand, were few, and beyond the reach of all but the richest; and the chief intellectual entertainment of well-to-do persons was to listen to the songs and

'Licentiousness, that state of wickedness in which the restraints of order and decency are freely set aside and the person sets himself to do as he pleases.

recitations of the professional jouglers, or those of belonging to their own class who were

amateurs

well versed in such lore.

Epochs of English History. By permission of
Messrs. LONGMAN and Co.

A KNIGHT OF THE MIDDLE AGES.

DAY set on Norham's castled steep,
And Tweed's fair river, broad and deep,
And Cheviot's mountains lone :
The battled towers, the donjon 2 keep,
The loophole grates, where captives weep
The flanking walls that round it sweep
In yellow lustre shone.

The warriors on the turrets high,
Moving athwart the evening sky,
10. Seem'd forms of giant height:
Their armour, as it caught the rays,
Flash'd back again the western blaze,
In lines of dazzling light.

Saint George's banner, broad and gay,
Now faded, as the fading ray

Less bright, and less, was flung;

The evening gale had scarce the power

To wave it on the donjon tower,

So heavily it hung.

'Amateurs, people who practise an art for the love of it and not for pay.

2 The Donjon, the principal tower or keep of an ancient castle, forming the central and strongest portion of the building, beneath which were the prison vaults, hence called dungeons.

20. The scouts had parted on their search,

30.

40.

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The castle gates were barr'd;

Above the gloomy portal arch,
Timing his footsteps to a march,
The warder kept his guard;
Low humming, as he paced along,
Some ancient Border gathering song.
A distant trampling sound he hears :
He looks abroad, and soon appears,
O'er Horncliff-hill a plump of spears,'
Beneath a pennon gay;

A horseman, darting from the crowd,
Like lightning from a summer cloud,
Spurs on his mettled courser proud,
Before the dark array.
Beneath the sable palisade,
That closed the castle barricade,
His bugle horn he blew ;

The warder hasted from the wall,
And warn'd the captain in the hall,
For well the blast he knew ;
And joyfully that knight did call,
To sewer,2 squire, and seneschal.3

Now broach ye a pipe of Malvoisie,
Bring pasties of the doe,

And quickly make the entrance free,
And bid my heralds ready be,

A plump is the

'A plump of spears, a body of men-at-arms. same as a knot, a collection, a clump (e.g. of trees). 'Sewer, an upper servant answering to our 'butler.'

'Seneschal, an officer in noble houses who had the management

of entertainments and domestic feasts.

'Malvoisie, Malmsey, a strong and sweet kind of wine.

And every minstrel sound his glee,
And all our trumpets blow;
And, from the platform, spare ye not
50. To fire a noble salvo-shot; '

Lord MARMION waits below!'
Then to the castle's lower ward
Sped forty yeomen tall,
The iron-studded gates unbarr'd,
Raised the portcullis' ponderous guard,
The lofty palisade unsparr'd

And let the drawbridge fall.

Along the bridge Lord Marmion rode,
Proudly his red-roan charger trode,
60. His helm hung at the saddlebow;
Well by his visage you might know
He was a stalwart knight, and keen,
And had in many a battle been;
The scar on his brown cheek reveal'd
A token true of Bosworth field;
His eyebrow dark, and eye of fire,
Show'd spirit proud, and prompt to ire;
Yet lines of thought upon his cheek
Did deep design and counsel speak.
70. His forehead by his casque 2 worn bare,
His thick moustache, and curly hair,
Coal-black, and grizzled here and there,
But more through toil than age;

His square-turned joints, and strength of limb,
Show'd him no carpet-knight 3 so trim,

3

1 Salvo-shot, a volley, probably a salute of welcome.

2

Casque, helmet.

* Carpet-knight, one more used to the luxuries of peace than

to the hardships of war.

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