Art Worlds: 25th Anniversary edition, Updated and ExpandedUniv of California Press, 8 avr. 2008 - 440 pages This classic sociological examination of art as collective action explores the cooperative network of suppliers, performers, dealers, critics, and consumers who—along with the artist—"produce" a work of art. Howard S. Becker looks at the conventions essential to this operation and, prospectively, at the extent to which art is shaped by this collective activity. The book is thoroughly illustrated and updated with a new dialogue between Becker and eminent French sociologist Alain Pessin about the extended social system in which art is created, and with a new preface in which the author talks about his own process in creating this influential work. |
Table des matières
Art Worlds and Collective Activity | 1 |
Kael Pauline 8890 | 7 |
Paderewski Ignace | 10 |
Kase Thelma | 26 |
Conventions | 40 |
Katz Elihu | 55 |
Palais Ideal 263 266 267 | 64 |
Mobilizing Resources | 68 |
Lachman Edward 7 | 213 |
Last Days of Pompeii The 128 | 222 |
Integrated Professionals Mavericks Folk Artists and Naive Artists | 226 |
Let Us Now Praise Famous Men 345 | 260 |
McCarthy Mary 8889 | 266 |
Arts and Crafts | 272 |
McGee Fibber 66 | 291 |
MaholyNagy Lazslo ix | 298 |
Distributing Art Works | 93 |
Parker Horatio 233 240 | 104 |
Kealey Edward R 1718 | 106 |
Aesthetics Aestheticians and Critics | 131 |
Kirkpatrick John 34 237 | 132 |
Labeling theory of deviance | 149 |
Art and the State | 165 |
Editing | 192 |
Change in Art Worlds | 300 |
Matisse Henri 231 | 341 |
Reputation | 351 |
Mavericks 233246 307 367368 | 367 |
Epilogue to the 25th Anniversary Edition | 372 |
387 | |
408 | |
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Expressions et termes fréquents
activities aesthetic aestheticians analysis appreciate art world participants audience members become choices chromatic scale collective composers constraints contemporary conventional cooperative craft create critics culture dance dealers defined develop distribution system e e cummings effect exhibit existing experience figure film galleries Hans Haacke Harry Partch idea important industrial innovations institutional integrated professionals interest jazz John Cage John Huston judgments kind large number less Ludwig van Beethoven Marcel Duchamp materials mavericks ment Moulin museum musicians naive artists objects organization painters painting patrons performance photog photographers play players political possible practice problem produce publishers quilts recording reputations require response result Robert Arneson Robert Frank rock music scores sculpture skill social society sociology someone standards stereographs style support personnel theater theory things tion tional tradition understand visual art Watts Towers