The Spirit of Molière: An InterpretationPrinceton University Press, 1940 - 250 pages |
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Page 30
... audience must feel that the passions and decisions it is witnessing are profoundly and humanly true , such as they might experience themselves . Les bienséances are the Tò oμaλóv , or consistency of Aristotle . For him , this seems to ...
... audience must feel that the passions and decisions it is witnessing are profoundly and humanly true , such as they might experience themselves . Les bienséances are the Tò oμaλóv , or consistency of Aristotle . For him , this seems to ...
Page 125
... audience . The stage represents the front of the house in which Agnes is kept under the guard of Alain and Georgette , and her acquaintance with Horace begins as she is sitting on her balcony , and he bows to her from the square below ...
... audience . The stage represents the front of the house in which Agnes is kept under the guard of Alain and Georgette , and her acquaintance with Horace begins as she is sitting on her balcony , and he bows to her from the square below ...
Page 216
... audience at the Palais - Royal seems to have been about a thousand , and of these about six hundred were in the pit , standing , restless , ready to hiss or applaud , interesting themselves in the play as no modern audience even in ...
... audience at the Palais - Royal seems to have been about a thousand , and of these about six hundred were in the pit , standing , restless , ready to hiss or applaud , interesting themselves in the play as no modern audience even in ...
Table des matières
LIllustre Théâtre or the Béjart Contract | 3 |
Drama in 1643 | 19 |
A Wandering Apprentice | 36 |
Droits d'auteur | |
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Expressions et termes fréquents
actors actress Agnes Alceste appear Armande Arnolphe artist au voleur audience Béjart bien Boileau bourgeois C'est Célimène Chapman character Cocu comedians comédien comic contemporary contract Corneille court Critique de l'Ecole Don Garcie drama dramatist Ecole des Femmes Ecole des Maris Eliante Etourdi Fâcheux fait farce father feeling felt France French Gorgibus hero heroic homme Horace Hôtel de Bourgogne human ideal Illustre Théâtre Italian jealousy Jodelet King laughter less little comedy lived Louis XIV lover Madeleine Marais marquis marriage married Mascarille Mazarin Misanthrope Mlle Mlle de Scudéry Molière Molière's plays Monsieur Montdory moral nature noble Palais-Royal Paris Parisian Percy Chapman performance perhaps Petit-Bourbon Pézenas Philinte plot poet Poquelin Précieuses Prince de Conti qu'il qu'on Racine ridiculous royal satire says scene seems sense serious plays Sganarelle society spirit stage success Tartuffe taste theater Thomas Corneille tion tout tragedy tragi-comedy troupe valet Versailles writing young