The Spirit of Molière: An InterpretationPrinceton University Press, 1940 - 250 pages |
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Page 3
... original ambition . He wanted merely to be an actor . Little is known of the facts of his childhood and youth , still less of his early thoughts , but that he was attracted to the theater is indubitable . In 1643 , his twenty - second ...
... original ambition . He wanted merely to be an actor . Little is known of the facts of his childhood and youth , still less of his early thoughts , but that he was attracted to the theater is indubitable . In 1643 , his twenty - second ...
Page 26
... original creations of one or several men of superior genius , as was the case in Spain and England , but as it were through the gradual elevation of drama into a superior realm . Corneille is the supreme dramatist of the period , and a ...
... original creations of one or several men of superior genius , as was the case in Spain and England , but as it were through the gradual elevation of drama into a superior realm . Corneille is the supreme dramatist of the period , and a ...
Page 39
... original one , the name " Molière " is used for the first time , and appears first among the signatures . What- ever the public may have thought of him , the young man of twenty - two seems to have felt himself more and more completely ...
... original one , the name " Molière " is used for the first time , and appears first among the signatures . What- ever the public may have thought of him , the young man of twenty - two seems to have felt himself more and more completely ...
Table des matières
LIllustre Théâtre or the Béjart Contract | 3 |
Drama in 1643 | 19 |
A Wandering Apprentice | 36 |
Droits d'auteur | |
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Expressions et termes fréquents
action actors Alceste appear Arnolphe audience become beginning Béjart bien bourgeois called century character comedy comic complete contemporary contract Corneille course court desire Don Garcie drama Ecole entirely fact farce father feeling felt Femmes figure finally France French give given hand human idea ideal important interest Italian Italy King known later laughter least less lived lover manners Maris marriage married Mascarille matter mind Mlle de Scudéry Molière Molière's Monsieur moral nature never original Paris performance perhaps period play plot possible Précieuses present Prince probably qu'il question reason remain respect royal rules satire says scene seems sense serious Sganarelle situation social society spirit stage success Tartuffe taste theater tion tout tragedy troupe turns valet writing written young