The Spirit of Molière: An InterpretationPrinceton University Press, 1940 - 250 pages |
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Page 33
... serious plays , how far they often were from life in their bursts of bombast and unfeeling cleverness ? Did he think then , as he was to say twenty years later , that it was harder to observe men like a comic poet than to " se guinder ...
... serious plays , how far they often were from life in their bursts of bombast and unfeeling cleverness ? Did he think then , as he was to say twenty years later , that it was harder to observe men like a comic poet than to " se guinder ...
Page 77
... serious play , and that he could find nothing better for a plot than " les jalousies conçues sur de fausses apparences . " No , the attack of the Précieuses is not against any persons , either in the public or among authors , but ...
... serious play , and that he could find nothing better for a plot than " les jalousies conçues sur de fausses apparences . " No , the attack of the Précieuses is not against any persons , either in the public or among authors , but ...
Page 209
... serious . The audience is no longer below the characters , as in tragedy , nor above them , as in comedy , but nearer to their level . Sympathy and even admiration , the appeal of all plays for Corneille , with Tartuffe begin to be ...
... serious . The audience is no longer below the characters , as in tragedy , nor above them , as in comedy , but nearer to their level . Sympathy and even admiration , the appeal of all plays for Corneille , with Tartuffe begin to be ...
Table des matières
LIllustre Théâtre or the Béjart Contract | 3 |
Drama in 1643 | 19 |
A Wandering Apprentice | 36 |
Droits d'auteur | |
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Expressions et termes fréquents
action actors Alceste appear Arnolphe audience become beginning Béjart bien bourgeois called century character comedy comic complete contemporary contract Corneille course court desire Don Garcie drama Ecole entirely fact farce father feeling felt Femmes figure finally France French give given hand human idea ideal important interest Italian Italy King known later laughter least less lived lover manners Maris marriage married Mascarille matter mind Mlle de Scudéry Molière Molière's Monsieur moral nature never original Paris performance perhaps period play plot possible Précieuses present Prince probably qu'il question reason remain respect royal rules satire says scene seems sense serious Sganarelle situation social society spirit stage success Tartuffe taste theater tion tout tragedy troupe turns valet writing written young