The Spirit of Molière: An InterpretationPrinceton University Press, 1940 - 250 pages |
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Page 227
... social function . There is no question that the Bergsonian analysis fits the comedy of Molière in so far as it is a social corrective in which laughter combines with a sense of merely social values to chastise vagaries of conduct ...
... social function . There is no question that the Bergsonian analysis fits the comedy of Molière in so far as it is a social corrective in which laughter combines with a sense of merely social values to chastise vagaries of conduct ...
Page 231
... social realities with which he is surrounded . There are of course other bases for laughter than this . The pure of heart , like the socially solid , are freed for joy , and the laughter of little children fills the kingdom of heaven ...
... social realities with which he is surrounded . There are of course other bases for laughter than this . The pure of heart , like the socially solid , are freed for joy , and the laughter of little children fills the kingdom of heaven ...
Page 232
... social balance more deeply sensible than in the comedy of Molière . The morality of Molière , although it bears an obvious relation to the social " set - up " in which the Frenchman of 1660 found himself , nevertheless goes much deeper ...
... social balance more deeply sensible than in the comedy of Molière . The morality of Molière , although it bears an obvious relation to the social " set - up " in which the Frenchman of 1660 found himself , nevertheless goes much deeper ...
Table des matières
LIllustre Théâtre or the Béjart Contract | 3 |
Drama in 1643 | 19 |
A Wandering Apprentice | 36 |
Droits d'auteur | |
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Expressions et termes fréquents
action actors Alceste appear Arnolphe audience become beginning Béjart bien bourgeois called century character comedy comic complete contemporary contract Corneille course court desire Don Garcie drama Ecole entirely fact farce father feeling felt Femmes figure finally France French give given hand human idea ideal important interest Italian Italy King known later laughter least less lived lover manners Maris marriage married Mascarille matter mind Mlle de Scudéry Molière Molière's Monsieur moral nature never original Paris performance perhaps period play plot possible Précieuses present Prince probably qu'il question reason remain respect royal rules satire says scene seems sense serious Sganarelle situation social society spirit stage success Tartuffe taste theater tion tout tragedy troupe turns valet writing written young