A Companion to Early CinemaAn authoritative and much-needed overview of the main issues in the field of early cinema from over 30 leading international scholars in the field
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Table des matières
Early Cinema Cultures | 13 |
Toward a History of Peep Practice | 32 |
Late NineteenthCentury | 52 |
The Théâtrophone an Anachronistic Hybrid Experiment | 80 |
Modern Pantomime and the Making | 99 |
Early Cinema Discourses | 119 |
The Discourses of Art in Early Film or Why Not Rancière? | 141 |
Sensationalism and Early Cinema | 163 |
Early Cinema Presentations | 315 |
An Overture Five Acts and an Interlude | 334 |
Alternation Format StageandScreen Hybrids | 360 |
Advance Newspaper Publicity for the Vitascope | 381 |
Storefront Theater Advertising and the Evolution | 398 |
Film and Prisons during | 420 |
Early Cinema Identities | 441 |
The Invention of Cinematic Celebrity in the United Kingdom | 460 |
Series and Serial Production Discourses | 183 |
Film Consciousness | 202 |
Early Cinema and Film Theory | 224 |
Early Cinema Forms | 243 |
The American Chase Film | 257 |
Educational | 277 |
The Aesthetic | 298 |
The Film Lecturer | 487 |
Early Cinema Recollections | 525 |
The Digital Restoration and Exhibition | 550 |
Reflexivity and Deixis | 568 |
Is Nothing New? TurnoftheCentury Epistemes in Film History | 587 |
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