Victorian WillOhio University Press, 1989 - 493 pages John R. Reed, author of Victorian Conventions, The Natural History of H.G. Wells, and Decadent Style, has published a new critical study examining nineteenth-century British attitudes toward free will, determinism, providence, and fate. His new book, Victorian Will, argues for the need to understand a body of literature in its broadest historical and intellectual context. From among a number of different possibilities, Reed chose the concept of will -- whether understood as part of a providential scheme, as an illusory power in a determined existence, or as a free agent in a world of chance -- to illuminate the relationship of literary works of the period. Will was not only a prominent subject of discussion in Victorian England, but attitudes towards will affect form, style, and characterization in contemporary fiction, as Reed demonstrates in his discussion of the works of Mary Shelley, Bulwer-Lytton, Dickens, Thackeray, George Eliot, Thomas Hardy, and others. Victorian Will is destined to take its place beside Reed's other work as a standard reference in nineteenth-century study. |
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Page 168
... ( Shelley , Poetry and Prose , 461 ) . Shelley's view of free will may have been formed partly by his relationship with Byron . Shelley tried to play Coleridge to Byron's Wordsworth , but Byron was a dedicated fatalist.15 Still , in ...
... ( Shelley , Poetry and Prose , 461 ) . Shelley's view of free will may have been formed partly by his relationship with Byron . Shelley tried to play Coleridge to Byron's Wordsworth , but Byron was a dedicated fatalist.15 Still , in ...
Page 222
... Shelley in " Mont Blanc " called " large codes of fraud and woe . ' " 28 In his note to Queen Mab , which Mary Shelley had read as early as 1814 , Shelley argued the doctrine of necessity , asserting that " every human being is ...
... Shelley in " Mont Blanc " called " large codes of fraud and woe . ' " 28 In his note to Queen Mab , which Mary Shelley had read as early as 1814 , Shelley argued the doctrine of necessity , asserting that " every human being is ...
Page 453
... Shelley participated substantially in the composition of the novel ( see his edition of Frankenstein [ New York : Bobbs - Merrill , 1974 ] ) . But Mary Shelley's revisions for the 1831 edition indicate her desire to emphasize referen ...
... Shelley participated substantially in the composition of the novel ( see his edition of Frankenstein [ New York : Bobbs - Merrill , 1974 ] ) . But Mary Shelley's revisions for the 1831 edition indicate her desire to emphasize referen ...
Table des matières
Introduction to Part 1 | 5 |
The Self | 15 |
The Free Will Controversy | 29 |
Droits d'auteur | |
21 autres sections non affichées
Expressions et termes fréquents
accept achieve action argued asserted assumed becomes believed called cause central century chapter character Christian circumstance concept concerned consciousness create described desire destiny determinism Dickens direct discussion divine Eliot Essays evolution examine example existence explains expression faith fate feel fiction follow force freedom future George God's Hardy human idea imagination important impulse individual insanity interest issue John later less lives London man's material matter means Meredith mind moral narrative narrator nature necessity never nineteenth century novel offered pattern philosophical plot Poems position present progress providence reader reason religious represents responsibility Romantic says scheme seems sense shape Shelley social soul spirit story Subsequent references appear suggests theory things thought tion true truth University Press Victorian writers York