Victorian WillOhio University Press, 1989 - 493 pages John R. Reed, author of Victorian Conventions, The Natural History of H.G. Wells, and Decadent Style, has published a new critical study examining nineteenth-century British attitudes toward free will, determinism, providence, and fate. His new book, Victorian Will, argues for the need to understand a body of literature in its broadest historical and intellectual context. From among a number of different possibilities, Reed chose the concept of will -- whether understood as part of a providential scheme, as an illusory power in a determined existence, or as a free agent in a world of chance -- to illuminate the relationship of literary works of the period. Will was not only a prominent subject of discussion in Victorian England, but attitudes towards will affect form, style, and characterization in contemporary fiction, as Reed demonstrates in his discussion of the works of Mary Shelley, Bulwer-Lytton, Dickens, Thackeray, George Eliot, Thomas Hardy, and others. Victorian Will is destined to take its place beside Reed's other work as a standard reference in nineteenth-century study. |
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Page 271
... story she believed herself to have lived , he must retell his story because he spent so much of it living the wrong plot . If Carton achieved " freedom " by projecting the story of his life beyond his death , Pip is entrapped by a ...
... story she believed herself to have lived , he must retell his story because he spent so much of it living the wrong plot . If Carton achieved " freedom " by projecting the story of his life beyond his death , Pip is entrapped by a ...
Page 274
... story she hears is a retelling of the story so indifferently related by Lightwood early in the novel - the story of Harmon and his prescribed bride . These two people complete the original diagram of the story , as though it were a ...
... story she hears is a retelling of the story so indifferently related by Lightwood early in the novel - the story of Harmon and his prescribed bride . These two people complete the original diagram of the story , as though it were a ...
Page 300
... story is just such another animal fable , designed to elaborate a similar lesson . The story proceeds , however , with the frequent assistance of several other sets of allusions to biblical stories , Chris- tian hagiography , tales from ...
... story is just such another animal fable , designed to elaborate a similar lesson . The story proceeds , however , with the frequent assistance of several other sets of allusions to biblical stories , Chris- tian hagiography , tales from ...
Table des matières
Introduction to Part 1 | 5 |
The Self | 15 |
The Free Will Controversy | 29 |
Droits d'auteur | |
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Expressions et termes fréquents
accept achieve action argued asserted assumed becomes believed called cause central century chapter character Christian circumstance concept concerned consciousness create described desire destiny determinism Dickens direct discussion divine Eliot Essays evolution examine example existence explains expression faith fate feel fiction follow force freedom future George God's Hardy human idea imagination important impulse individual insanity interest issue John later less lives London man's material matter means Meredith mind moral narrative narrator nature necessity never nineteenth century novel offered pattern philosophical plot Poems position present progress providence reader reason religious represents responsibility Romantic says scheme seems sense shape Shelley social soul spirit story Subsequent references appear suggests theory things thought tion true truth University Press Victorian writers York