Zeami's Style: The Noh Plays of Zeami Motokiyo
Stanford University Press, 1 mars 1996 - 319 pages
This is the first full-length study of Zeami Motokiyo (1363 1443), generally recognized as the greatest playwright of Japan's classical Noh theater. The book begins with a biography based on the known documents relating to Zeami's life. It then examines the documentary evidence for authorship and explains the various technical aspects of Noh. Subsequent chapters explore the role of the old man in noh (particularly in the play Takasago), as well as Zeami's plays about women and warriors, with primary attention to Izutsu and Tadanori. The book concludes with a general discussion of Zeami's style and the relationship between his dramatic theory and his plays.
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A Documentary Biography
Zeami the Playwright
The Aged Mode
Illustrations for Plays in the Aged Mode
Places Mentioned in the Fourth Dan of the Play Toru
The Womans Mode
Illustrations for Plays in the Womans Mode
Autres éditions - Tout afficher
actor aesthetic Aged Mode Ageuta aikyogen allusion appears Aridoshi character dance Dangi demon dramatic Eguchi flower fskd Fushikaden hana haru hataraki Heike Heike monogatari hiranori hito honzetsu Hosho Ise monogatari issei Izutsu Japanese jo-ha-kyu Jonoei Kakeai kakekotoba Kannami Kanze Kanze school Katari Kokinshu kokoro Komachi kono Konparu Kore Kosai koso koto kotoba kotsuzumi kuse kusemai kyogen lyric Martial Mode matsu Matsukaze mentioned modern Mondo monogatari monomane Motomasa mugen mukashi Nanori nari Narihira narrative naru Nikyoku nochijite noh plays noriji Oimatsu Omote Onnami onori original passage performance pine play's poem poetic poetry quoted renga role rongi Sando sarugaku Sashi seems shidai shite shodan song soro structure style Suma Suminoe Sumiyoshi sung syllables Tadanori tadautai Takasago Teika tion tradition treatises tree troupe tsuki tsure waka waki noh waki's Woman's Mode words Yamato Yokomichi Yoshimitsu yugen Yumi Yawata Zeami Zeami's plays Zenchiku