Regulating Confusion: Samuel Johnson and the CrowdDuke University Press, 17 janv. 1996 - 208 pages With the urbanization of eighteenth-century English society, moral philosophers became preoccupied with the difference between individual and crowd behavior. In so doing, they set the stage for a form of political thought divorced from traditional moral reflection. In Regulating Confusion Thomas Reinert places Samuel Johnson in the context of this development and investigates Johnson’s relation to an emerging modernity. Ambivalent about the disruption, confusion, perplexity, and boundless variety apparent in the London of his day, Johnson was committed to the conventions of moral reflection but also troubled by the pressure to adopt the perspective of the crowd and the language of social theory. Regulating Confusion explores the consequences of his ambivalence and his attempt to order the chaos. It discusses his critique of moral generalizations, concept of moral reflection as a symbolic gesture, and account of what happens to the notion of character when individuals, having lost the support of moral convention, become faces in a crowd. Reflecting generally on the relationship between skepticism and political ideology, Reinert also discusses Johnson’s political skepticism and the forms of speculation and action it authorized. Challenging prevalent psychologizing and humanistic interpretations, Regulating Confusion leaves behind the re-emergent view of Johnson as a reactionary ideologue and presents him in a theoretically sophisticated context. It offers his style of skepticism as a model of poise in the face of confusion about the nature of political truth and personal responsibility and demonstrates his value as a resource for students of culture struggling with contemporary debates about the relationship between literature and politics. |
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Page 3
... Benjamin , in an essay on Baudelaire , suggests that crowds transform and undermine the feeling of collective experience , in particular the experience of the " concrete universal " which critics are apt to ascribe to Johnson . Benjamin ...
... Benjamin , in an essay on Baudelaire , suggests that crowds transform and undermine the feeling of collective experience , in particular the experience of the " concrete universal " which critics are apt to ascribe to Johnson . Benjamin ...
Page 124
... Benjamin argues that this kind of defense has a significant cultural consequence : it undermines the sense that experience is rooted in tradition . Citing Freud , Benjamin argues that conscious- ness is opposed to memory : instead of ...
... Benjamin argues that this kind of defense has a significant cultural consequence : it undermines the sense that experience is rooted in tradition . Citing Freud , Benjamin argues that conscious- ness is opposed to memory : instead of ...
Page 125
... Benjamin argues . He cites the newspaper and the mechanization of labor under industrial capitalism as products of experience organized around " empty " time ; he might have cited Johnson's " anticipative imagination " as well . By the ...
... Benjamin argues . He cites the newspaper and the mechanization of labor under industrial capitalism as products of experience organized around " empty " time ; he might have cited Johnson's " anticipative imagination " as well . By the ...
Table des matières
One The Desire for Fame | 18 |
Two Periodical Moralizing | 46 |
Three The Vanity of Human Wishes | 75 |
Droits d'auteur | |
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according action Alkon appears argues authority Bate benevolence Benjamin boundless Cambridge century chance character concrete universal conjecture critics crowd Damrosch death desire Dictionary Dussinger effect eighteenth eighteenth-century example exemplary experience feel figure Georg Lukács hack writer Hester Piozzi Human Wishes Ian Watt imagination Imlac impersonal individual interest John Johnson says Johnson writes kind language Leo Damrosch Levet literary live London Mandeville mankind marginal means metaphor Michael Ignatieff mind misery moral essays moral reflection moralist nature ness notion objects pamphlet particular passage passions Paul Fussell perspective pleasure poem poem's political Preface principle probabilistic rabble Rambler Rambler essay Rasselas reader reason regulate relation rhetorical rhetorical modes Richard Savage Samuel Johnson satire Savage Savage's scene seems Sejanus Sennett sense sentiment Shaftesbury sion skepticism social order society story style subordination suggests thought tion topic tragic Vanity of Human Vesterman virtue Walter Benjamin wants Xerxes Yale