Regulating Confusion: Samuel Johnson and the CrowdDuke University Press, 17 janv. 1996 - 208 pages With the urbanization of eighteenth-century English society, moral philosophers became preoccupied with the difference between individual and crowd behavior. In so doing, they set the stage for a form of political thought divorced from traditional moral reflection. In Regulating Confusion Thomas Reinert places Samuel Johnson in the context of this development and investigates Johnson’s relation to an emerging modernity. Ambivalent about the disruption, confusion, perplexity, and boundless variety apparent in the London of his day, Johnson was committed to the conventions of moral reflection but also troubled by the pressure to adopt the perspective of the crowd and the language of social theory. Regulating Confusion explores the consequences of his ambivalence and his attempt to order the chaos. It discusses his critique of moral generalizations, concept of moral reflection as a symbolic gesture, and account of what happens to the notion of character when individuals, having lost the support of moral convention, become faces in a crowd. Reflecting generally on the relationship between skepticism and political ideology, Reinert also discusses Johnson’s political skepticism and the forms of speculation and action it authorized. Challenging prevalent psychologizing and humanistic interpretations, Regulating Confusion leaves behind the re-emergent view of Johnson as a reactionary ideologue and presents him in a theoretically sophisticated context. It offers his style of skepticism as a model of poise in the face of confusion about the nature of political truth and personal responsibility and demonstrates his value as a resource for students of culture struggling with contemporary debates about the relationship between literature and politics. |
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Page 78
... character is an example of a general truth , the vanity of human wishes ; but the example itself has no universal significance or application . W. K. Wimsatt speaks of the “ concrete universal " in Romantic poetry , a figure in which ...
... character is an example of a general truth , the vanity of human wishes ; but the example itself has no universal significance or application . W. K. Wimsatt speaks of the “ concrete universal " in Romantic poetry , a figure in which ...
Page 105
... character but about an array of moral ideas which go to make up a character . 13 12 The Life of Savage , for example , which draws a vivid and detailed picture , is nevertheless thoroughly permeated with the rhetoric of moral ...
... character but about an array of moral ideas which go to make up a character . 13 12 The Life of Savage , for example , which draws a vivid and detailed picture , is nevertheless thoroughly permeated with the rhetoric of moral ...
Page 114
... character to all these forms ; but in doing so he drifted into this frenzy , irresolution , and discomposure . As an exemplary scene , the proofreading pas- sage suggests that this is what being a " character " was like : self ...
... character to all these forms ; but in doing so he drifted into this frenzy , irresolution , and discomposure . As an exemplary scene , the proofreading pas- sage suggests that this is what being a " character " was like : self ...
Table des matières
One The Desire for Fame | 18 |
Two Periodical Moralizing | 46 |
Three The Vanity of Human Wishes | 75 |
Droits d'auteur | |
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according action Alkon appears argues authority Bate benevolence Benjamin boundless Cambridge century chance character concrete universal conjecture critics crowd Damrosch death desire Dictionary Dussinger effect eighteenth eighteenth-century example exemplary experience feel figure Georg Lukács hack writer Hester Piozzi Human Wishes Ian Watt imagination Imlac impersonal individual interest John Johnson says Johnson writes kind language Leo Damrosch Levet literary live London Mandeville mankind marginal means metaphor Michael Ignatieff mind misery moral essays moral reflection moralist nature ness notion objects pamphlet particular passage passions Paul Fussell perspective pleasure poem poem's political Preface principle probabilistic rabble Rambler Rambler essay Rasselas reader reason regulate relation rhetorical rhetorical modes Richard Savage Samuel Johnson satire Savage Savage's scene seems Sejanus Sennett sense sentiment Shaftesbury sion skepticism social order society story style subordination suggests thought tion topic tragic Vanity of Human Vesterman virtue Walter Benjamin wants Xerxes Yale