Regulating Confusion: Samuel Johnson and the CrowdDuke University Press, 17 janv. 1996 - 208 pages With the urbanization of eighteenth-century English society, moral philosophers became preoccupied with the difference between individual and crowd behavior. In so doing, they set the stage for a form of political thought divorced from traditional moral reflection. In Regulating Confusion Thomas Reinert places Samuel Johnson in the context of this development and investigates Johnson’s relation to an emerging modernity. Ambivalent about the disruption, confusion, perplexity, and boundless variety apparent in the London of his day, Johnson was committed to the conventions of moral reflection but also troubled by the pressure to adopt the perspective of the crowd and the language of social theory. Regulating Confusion explores the consequences of his ambivalence and his attempt to order the chaos. It discusses his critique of moral generalizations, concept of moral reflection as a symbolic gesture, and account of what happens to the notion of character when individuals, having lost the support of moral convention, become faces in a crowd. Reflecting generally on the relationship between skepticism and political ideology, Reinert also discusses Johnson’s political skepticism and the forms of speculation and action it authorized. Challenging prevalent psychologizing and humanistic interpretations, Regulating Confusion leaves behind the re-emergent view of Johnson as a reactionary ideologue and presents him in a theoretically sophisticated context. It offers his style of skepticism as a model of poise in the face of confusion about the nature of political truth and personal responsibility and demonstrates his value as a resource for students of culture struggling with contemporary debates about the relationship between literature and politics. |
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Page 20
... perspective . One is bound to hate vice , especially if one is victimized by it , but Mandeville urges that one ... perspectives does not absolutely dispel the authority of moral concerns ; but it means that moral philosophy cannot ...
... perspective . One is bound to hate vice , especially if one is victimized by it , but Mandeville urges that one ... perspectives does not absolutely dispel the authority of moral concerns ; but it means that moral philosophy cannot ...
Page 28
... perspective of the crowd helps the author see past the contingent veil of his self - love , which may blind him to his real faults ; but all the same , it is not a perspective that allows him to " experience " himself . The crowd's ...
... perspective of the crowd helps the author see past the contingent veil of his self - love , which may blind him to his real faults ; but all the same , it is not a perspective that allows him to " experience " himself . The crowd's ...
Page 71
... perspective and reject it as a fantasy . ( The inventor supposes that the “ fields of air are open to knowledge " [ 24 ] , as if flying were an essentially philosophical position.15 ) Im- lac's famous monologue about poetry and general ...
... perspective and reject it as a fantasy . ( The inventor supposes that the “ fields of air are open to knowledge " [ 24 ] , as if flying were an essentially philosophical position.15 ) Im- lac's famous monologue about poetry and general ...
Table des matières
One The Desire for Fame | 18 |
Two Periodical Moralizing | 46 |
Three The Vanity of Human Wishes | 75 |
Droits d'auteur | |
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Expressions et termes fréquents
according action Alkon appears argues authority Bate benevolence Benjamin boundless Cambridge century chance character concrete universal conjecture critics crowd Damrosch death desire Dictionary Dussinger effect eighteenth eighteenth-century example exemplary experience feel figure Georg Lukács hack writer Hester Piozzi Human Wishes Ian Watt imagination Imlac impersonal individual interest John Johnson says Johnson writes kind language Leo Damrosch Levet literary live London Mandeville mankind marginal means metaphor Michael Ignatieff mind misery moral essays moral reflection moralist nature ness notion objects pamphlet particular passage passions Paul Fussell perspective pleasure poem poem's political Preface principle probabilistic rabble Rambler Rambler essay Rasselas reader reason regulate relation rhetorical rhetorical modes Richard Savage Samuel Johnson satire Savage Savage's scene seems Sejanus Sennett sense sentiment Shaftesbury sion skepticism social order society story style subordination suggests thought tion topic tragic Vanity of Human Vesterman virtue Walter Benjamin wants Xerxes Yale