Performing the 'New' Europe: Identities, Feelings and Politics in the Eurovision Song Contest

Couverture
K. Fricker, M. Gluhovic
Springer, 13 mai 2013 - 264 pages
This fascinating and lively volume makes the case that the Eurovision Song Contest is an arena for European identification in which both national solidarity and participation in a European identity are confirmed, and a site where cultural struggles over the meanings, frontiers and limits of Europe are enacted.
 

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Table des matières

Eurovision and the New Europe
1
The Eurovision Song Contest and the European Public Sphere
29
Part II European Margins and Multiple Modernities
108
Part III Gender Identities and Sexualities in the Eurovision Song Contest
160
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À propos de l'auteur (2013)

Ioana Szeman, Roehampton University, UK Karen Fricker, Brock University, Canada Yana Meerzon, University of Ottawa, Canada Dmitri Priven, University of Ottawa, Canada Justyna Sempruch, University of Basel, Switzerland Katarzyna Marciniak, Ohio University, USA Katrin Sieg, Georgetown University, USA Elaine Aston, Lancaster University, UK Peter Rehberg, University of Texas, Austin, USA Robert Kulpa, Birkbeck, University of London, UK Apostolos Lampropoulos, University of Cyprus, Cyprus Brian Singleton, Trinity College, Dublin, Ireland Marilena Zaroulia, University of Winchester, UK Milija Gluhovic, University of Warwick, UK

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