Spike Lee: Interviews

Couverture
Univ. Press of Mississippi, 2002 - 228 pages

Since his first feature movie, She's Gotta Have It (1986), gave him critical and commercial success, Spike Lee has challenged audiences with one controversial film after another, sparking debates about race, sex, American politics and film production, and garnering award nominations along the way.

Spike Lee: Interviews collects the best interviews and profiles of America's most prominent African American filmmaker. The collection features interviews with such luminaries as Charlie Rose, Elvis Mitchell, Michael Sragow, and actor Delroy Lindo.

Lee has made a broad range of movies, including documentaries (4 Little Girls), musicals (School Daze), crime dramas (Clockers), biopics (Malcolm X). An early advocate of digital video, he used the technology to film both of his 2000 releases, The Original Kings of Comedy and Bamboozled.

Reactions to Do the Right Thing (1989) and Jungle Fever (1990) propelled Lee into a constant presence in the public eye as media currency. He directed commercials for Nike, Levi's, and the U.S. Navy, directed music videos, published seven books, and conducted many interviews explaining and clarifying his views. As Lee puts it, "I've been blessed with the opportunity to express the views of black people who otherwise don't have access to power and media. I have to take advantage of that while I'm still bankable."

Articulate and deeply passionate, Lee reveals a degree of subtlety and wit that is often lost in sound bites and headlines about him. The range of his interests is as diverse as the subjects of, and approaches to, his films.

Cynthia Fuchs, an associate professor of English at George Mason University, writes film and media reviews for the Philadelphia City Paper and Addicted to Noise.

 

Avis des internautes - Rédiger un commentaire

Aucun commentaire n'a été trouvé aux emplacements habituels.

Pages sélectionnées

Table des matières

Lee Way
3
Spike Lees BedStuy BBQ
13
An Interview with Spike Lee
25
The Playboy Interview
35
An Interview with Spike Lee
65
Doing the Job
79
Interview with Spike Lee
86
Between Rock and a Hard Place
99
Hoops to Conquer
144
An Interview with Spike Lee
146
Spike Lees Seventies Flashback
155
Delroy Lindo on Spike Lee
161
An Interview with Spike Lee
178
Spike Lee on Videos Viability
184
Spikes Minstrel Show
187
Black like Spike
189

Spike Speaks
112
Interview with Spike Lee
116
The Demystification of Spike Lee
127
An Interview with Spike Lee Director of 4 Little Girls
139
Interview with Spike Lee
199
An Interview with Spike Lee
202
Index
219
Droits d'auteur

Autres éditions - Tout afficher

Expressions et termes fréquents

Fréquemment cités

Page 141 - We have to do with the past only as we can make it useful to the present and to the future. To all inspiring motives, to noble deeds which can be gained from the past, we are welcome. But now is the time, the important time. Your fathers have lived, died, and have done their work, and have done much of it well. You live and must die, and you must do your work.
Page 27 - She's Gotta Have It (1986), School Daze (1988), Do The Right Thing (1989), Mo...
Page 19 - ... are the ones who seem to have all the power and be in these positions to block things that you and I need. Because this is the situation, you and I have to preserve the right to do what is necessary to bring an end to that situation, and it doesn't mean that I advocate violence, but at the same time I am not against using violence in self-defense. I don't even call it violence when it's self-defense, I call it intelligence.
Page 12 - Within recent years, the quickest way for a black playwright, novelist, or poet to get published has been to say that black men are shit. If you say that, then you are definitely going to get media, your book published, your play done — Ntozake Shange, Alice Walker.
Page xxv - Danny Aiello (Sal), Ossie Davis (Da Mayor), Ruby Dee (Mother Sister), Richard Edson (Vito), Giancarlo Esposito (Buggin Out), Spike Lee (Mookie), Bill Nunn (Radio Raheem), John Turturro (Pino), Paul Benjamin (ML), Frankie Faison (Coconut Sid), Robin Harris (Sweet Dick Willie), Sam Jackson (Mister Senor Love Daddy), Rosie Perez (Tina), and Roger Guenveur Smith (Smiley).
Page 92 - It was the hardest thing I ever had to do in my life— but I did succeed in controlling myself.
Page xix - ... He returned to Atlanta to attend Morehouse College. After graduation, he returned to Brooklyn to continue his education at New York University's Tisch School of the Arts in Manhattan, where he received his Master of Fine Arts Degree in film production. Lee then founded 40 Acres and a Mule Filmworks based in the Fort Greene section of Brooklyn, where he has resided since childhood. Spike also created a record label, 40 Acres and A Mule Music Works, and a retail company, Spike's Joint East, in...
Page 39 - Elvis was a hero to most But he never meant shit to me you see Straight up racist that sucker was Simple and plain Motherfuck him and John Wayne...
Page 16 - Violence as a way of achieving racial justice is both impractical and immoral. It is impractical because it is a descending spiral ending in destruction for all. The old law of an eye for an eye leaves everybody blind. It is immoral because it seeks to humiliate the opponent rather than win his understanding; it seeks to annihilate rather than to convert. Violence is immoral because it thrives on hatred rather than love. It destroys community and makes brotherhood impossible. It leaves society in...
Page 67 - LEE: I read everything that I could, including a new book by Zak Kondo about the assassination that was very important in helping us recreate the assassination in the film. Paul Lee was a great help because he's someone who's really devoted his life to Malcolm X. Paul, who lives in Detroit, was in the Nation, I think, when he was twelve years old. As far as Published in Cineaste 19, no.

À propos de l'auteur (2002)

Cynthia Fuchs, an associate professor of English at George Mason University, writes film and media reviews for the Philadelphia City Paper and Addicted to Noise.

Informations bibliographiques