shorter continuance; 2dly, More or less lively; 3dly, Of more or less frequent occurrence; 4thly, More or less recent; 5thly, More or less pure from the occasional and varying mixture of other feelings; 6thly, They vary according to differences of original constitution; 7thly, According to differences of temporary emotion; 8thly, According to changes produced in the state of the body; and, 9thly, According to general tendencies produced by prior habits. Many of these differences, it is evident, may concur; but even a single difference in any one of these respects may be sufficient to account for the particular varying suggestion of the moment.

The next inquiry to which I would direct your attention, is to the difference of liveliness of the feeling which forms a part of a train of thought, according as that which suggested it may have been itself more or less lively.

The conception of an object may, it is evident, be suggested in two ways, by the perception of some other object really existing without; or by some other conception, previously existing in a train of internal thought. But, though it may be suggested in either way, it is by no means indifferent, with respect to it, in which of the two ways the suggestion has taken place.

"The influence of perceptible objects," says Mr. Stewart, "in reviving former thoughts and former feelings, is more particularly remarkable. After time has, in some degree, reconciled us to the death of a friend, how wonderfully are we affected the first time we enter the house where he lived! Every thing we see,-the apartment where he studied,-the chair upon which he sat,-recall to us the happiness we have enjoyed together; and we should feel it a sort of violation of that respect we owe to his memory, to engage in any light or indifferent discourse when such objects are before us. In the case, too, of those remarkable scenes, which interest the curiosity from the memorable persons or transactions which we have been accustomed to connect with them in the course of our studies, the fancy is more awakened by the actual perception of the scene itself, than by the mere conception or imagination of it. Hence the pleasure we enjoy in visiting classical ground; in beholding the retreats which inspired the genius of our favourite authors, or the fields which have been dignified by exertions of heroic virtue. How feeble are the emotions produced by the liveliest conception of modern Italy, to what the poet felt, when, amidst the ruins of Rome,

'He drew th' inspiring breath of ancient arts,
And trod the sacred walks,

Where, at each step, imagination burns!'

"The well-known effect of a particular tune on Swiss regiments when at a distance from home, furnishes a very striking illustration of the peculiar power of a perception, or of an impression on the senses, to awaken associated thoughts and feelings; and numberless facts of a similar nature must have occurred to every person of moderate sensibility, in the course of his own experience.

"Whilst we were at dinner,' says Captain King, 'in this miserable hut, on the banks of the river Awatska,-the guests of a people with whose existence we had before been scarce acquainted, and at the extremity of the habitable globe,—a solitary half-worn pewter spoon, whose shape was familiar to us, attracted our attention; and, on examination, we found it stamped on the back with the word, London. I cannot pass over this circumstance in silence, out of gratitude for ne many pleasant thoughts, the anxious hopes, and tender remembrances, it excited in us. Those who have experienced the effects that long absence, and extreme distance from their native country produce on the mind, will readily conceive the pleasure such a trifling incident can give.'"*

Of the truth of these delightful influences, who is there that can doubt? Distant as we are from those lands, which, in the studies of our boyhood, endeared and consecrated by so many remembrances, were to us almost like the very country of our birth, it is scarcely possible to think of ancient Rome or Greece, without mingling, with an interest more than passion, in the very ages of their glory. Some name or exploit instantly occurs to our mind; which, even in the faintness of our conception, is sufficient to transport us, for some few moments, from the scene of duller things around. But, when we tread on the soil itself,—when, as Cicero says, speaking of Athens, "Quocunque ingredimur, in aliquam historiam vestigium ponimus," - all which history has made dear to us is renewed to our very eyes. There are visionary forms around us, which make the land on which we tread, not the country that is, but the country that has been. We see again the very groves of Academus;

"And Plato's self

Seems half-emerging from his olive bowers,
To gather round him all the Athenian Sons
Of Wisdom."

"Tanta vis admonitionis est in locis," says Cicero, in a passage of his work De Finibus, in which he describes the peculiar vividness of our conceptions, on the actual view of scenes, ennobled by the residence of those whom we have been accusPhilosophy of the Human Mind, Chap. V. Part I. Sect. 1.

tomed to revere,-" Naturane nobis datum dicam, an errore quodam, ut cum ea loca videamus, in quibus memoria dignos viros acceperimus multum esse versatos, magis moveamur, quam siquando eorum ipsorum aut facta audiamus aut scriptum aliquod legamus? Velut ego nunc moveor. Venit enim mihi Platonis in mentem, quem accepimus primum hic dispu tare solitum ; cujus etiam illi hortuli propinqui, non memoriam solum mihi afferunt, sed ipsum videntur in conspectu meo hic ponere. Hic Speusippus,-hic Xenocrates,-hic ejus auditor Polemo, cujus ipsa illa sessio fuit quam videamus."*

After these observations of Cicero, at a time when Greece was to him, in a great measure, that land of former greatness, which his own country now is to us, it may be interesting to you to compare with the impression, thus described by him, the impression as described by one of our own contemporaries, after an interval of so many ages. I shall quote to you, therefore, a few passages of a Letter, written from Athens, by the very ingenious French poet, the Abbe de Lille, who visited Greece in company with his friend M.de Choiseul, the ambassador from France to Constantinople.

"At length," says he, "we were forced to lie to, by a contrary wind, if I can call that a contrary wind which gave an opportunity of beholding Athens.

"I shall not endeavour to express to you the pleasure which I felt, on setting my foot on that celebrated land. I could have wept for joy. I saw, at last, what I had only read before. I recognized every thing which I had known from my infancy;all was at once familiar to me and new. But what was my emotion on seeing the first monument of that city, which is destined to be for ever interesting!

"I gazed, and gazed again, as if my eyes could never be weary, on those magnificent columns of the finest Parian marble, interesting by their own beauty,-by that of the temples which they adorned,-by the glorious ages which they recall to memory, and by their external influence, as the standard of good and bad taste, in every nation and age, that for ever will: be striving to imitate their noble proportions. I passed from one to the other, I touched them,-I measured them, with insatiable avidity. In vain were they falling to ruins ;-I could not hinder myself from looking on them as imperishable,-I believed that I was making the fortune of my name, in engraving it on their marble. But, too soon, I perceived, with grief, my illusion. These precious remains have more than one enemy; and, of their enemies, Time is far from being the most terrible. The barbarous ignorance of the Turks destroys,

• Lib. V. c. 1.

sometimes in a single day, what whole ages have spared. I saw lying, at the gate of the commandant, one of those beautiful columns which I mentioned to you. An ornament of the Temple of Jupiter was about to adorn his Haram. The temple of Minerva,-the finest work of antiquity, the magnificence of which was so ruinous to Pericles, is enclosed, as it were, in a citadel, constructed partly at its expence. We mounted to it by steps, composed of its precious fragments, treading under foot the sculptures of Phidias and Praxiteles. I felt as if to tread on them, was to be an accomplice in the profanation, and I avoided them as carefully as I could, shrinking back almost involuntarily wherever I set my foot.

"There are still to be seen seventeen beautiful columns, the remains of one hundred and ten, which supported what is said to have been the Temple of Adrian. Before these is a threshing-floor, paved with its magnificent fragments. Between two of these pillars, a Greek hermit had made his dwelling a few years back, to live and die there,-more proud of the homage of the populace who feed him, than Themistocles of the acclamations of Greece. These datached columns excite a sort of pity, even by their magnificence. I asked who it was who had mutilated them, for it was easy to see that it was not the effect of time. I was told that they had been broken down for making mortar. I wept with very rage.

"Every where through the city is there the same cause for grief; not a threshold of a door,-not a step of a stair, which is not a fragment of ancient marble, torn by force from some monument, the whole one mixture of meanness and magnificence, a wretched rafter of fir resting, perhaps, on columns that had supported the temple of a god.

"With what a mixture of pain and pleasure did I see every where, some portion of an inscription, certainly the epitaph of a great man,—an arm, a foot that might have belonged to a Venus or a Minerva, fixed among common stones, in a common wall! I perceived in a court, a marble fountain, I entered, to take a nearer view,-it had been formerly a magnificient tomb, adorned with the finest sculptures,-I threw myself prostrate before it, and kissed the tomb. In the heedlessness of my adoration I overturned the pitcher of a child who was laughing at my strange behaviour From laughter he passed to tears and cries,-I had nothing on me to appease him with; and Heaven knows when he would have been comforted, if my Turks, good souls, had not threatened to beat him.

"Shall I tell you all the folly of the emotions which I felt? At the moment when I entered Athens, almost palpitating, the least relics of it appeared sacred. You know the story of

the savage, who had never seen any pebbles. I did like him, -I filled first the pockets of my coat,-then the pockets of my waistcoat, with bits of sculptured marble; and, then, like the savage, but with how much more regret! I threw them all away."

I must not extend any further, however, a quotation which is already too long. Some of the actions described, the prostrations, the tears, the kisses, may appear a little beyond the sageness of British enthusiasm. But the picture is not the less striking, for that air of national emotion, which runs through it, an emotion which harmonizes so well with the quick feelings of that people, by the remembrance of whom it was kindled, and which makes the visitor seem almost a native of the very soil which he describes.

Even to the sober temperance of our enthusiasm, however, such a spectacle as that of Athens, would be a little dangerous. We may think of it calmly, we may read of it calmly. But he must be cold indeed, who could set his foot on the very soil, or see but a single column of all those ruins of which he had calmly read and thought, without some feelings that might have appeared extravagant, even to himself, if described as the feelings of any other being.

In such circumstances, the Genius of ancient Greece himself, might seem almost present to a poetic mind, like that which, warmed by the mere images of her departed glory, could so beautifully invoke his descent ;

"Genius of ancient Greece! whose faithful steps,
Well pleased, I follow through the sacred paths
Of Nature and of Science; nurse divine

Of all heroic deeds, and fair desires!
Descend, propitious, to my favour'd eye
Such in thy mien, thy warm exalted air,
As when the Persian tyrant, foil'd and stung
With shame and desperation, hid his face
Among the herd of satraps and of kings,
And at the lightning of thy lifted spear,

Crouch'd like a slave!-Bring all thy martial spoils,
Thy palms, thy laurels, thy triumphal songs,

Thy smiling band of arts, thy godlike sires

Of civil wisdom, thy heroic youth

Warm from the schools of glory. Guide my way
Through fair Lyceum's walk, the green retreats
Of Academus, and the thymy vale,
Where oft, enchanted with Socratic sounds,
Ilissus pure devolved his tuneful stream
In gentle murmurs. From the blooming store
Of these auspicious fields, may I, unblamed,
Transplant some living blossoms, to adorn
My native clime ;-while, far above the mead