African Americans on Television: Race-ing for RatingsA comprehensive look at the history of African Americans on television that discusses major trends in black TV and examines the broader social implications of the relationship between race and popular culture as well as race and representation. Previous treatments of the history of African Americans in television have largely lacked theoretical analysis of the relationship between representations and social contexts. African Americans on Television: Race-ing for Ratings fills the existing void by supplying fundamental history with critical analyses of the racial politics of television, documenting the considerable effect that television has had on popular notions of black identity in America since the inception of television. Covering a spectrum of genres—comedy, drama, talk shows, television movies, variety shows, and reality television, including shows such as Good Times, The Oprah Winfrey Show, and Chappelle's Show—this insightful work traces a cultural genealogy of African Americans in television. Its chronological analysis provides an engaging historical account of how African Americans entered the genre of television and have continued to play a central role in the development of both the medium and the industry. The book also tracks the shift in the significance of African Americans in the television market and industry, and the changing, but enduring, face of stereotypes and racism in American television culture. |
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Table des matières
Our Regularly Scheduled Program | 1 |
Black Power and Mainstream Narratives | 16 |
2 An Interview with John Amos | 34 |
Making Whiteness and Blackness in All in the Family and The Jeffersons | 45 |
4 Whats Your Name? Roots Race and Popular Memory in PostCivil Rights America | 69 |
On Our Gang Diff rent Strokes and Webster | 82 |
The Cosby Show and the National Imagination | 114 |
A Different World in a PostCosby Landscape | 141 |
15 Tyler Perry Takes Over TV | 282 |
Food Network | 299 |
The Struggle of Representation and Black Entertainment Television | 314 |
18 White Authorship and the Counterfeit Politics of Verisimilitude on The Wire | 324 |
Urban Life and Media in Season Five of The Wire | 342 |
True Bloods Lafayette and the Deconstruction of Normal | 358 |
21 Can the Black Woman Shout? A Meditation on Real and Utopian Depictions of African American Women on Scripted Television | 373 |
22 Scandal and Black Women in Television | 390 |
Family Matters and The Fresh Prince of BelAir | 159 |
Representing the Modern Black Woman in Living Single | 177 |
The Bernie Mac Show My Wife and Kids and Everybody Hates Chris | 191 |
Sesame Street ANT Farm and The LeBrons | 207 |
The Serious Business of Humor in In Living Color Chappelles Show and The Boondocks | 229 |
Commercials + HipHop Athletes Hocking Products | 251 |
Oprah Winfrey in Relation to Self and as a Cultural Icon | 263 |
The Misadventures of Awkward Black Girl and New Medias Potential for SelfDefinition | 402 |
Barack Obama Sport and the Mediated Politics of Identity | 414 |
New Normal in American Television? Race Gender Blackness and the New Racism | 434 |
About the Editors and Contributors | 443 |
449 | |
Autres éditions - Tout afficher
African Americans on Television: Race-ing for Ratings David J. Leonard,Lisa Guerrero Aucun aperçu disponible - 2013 |